Puppet Masters

Portland’s Tears of Joy Theatre elevates the art of puppetry with The Jungle Book

What was the last puppet show you saw? An after-school special maybe? Or perhaps a storybook hour staged by librarians with their hands stuck up some glorified socks? Portland’s Tears of Joy Puppet Theatre wants you to throw out that imagery entirely.  “There are so many puppet shows out there that I’ve seen that might be great for kids,” says Emily Alexander, Tears of Joy’s executive director, “but the parents are, how shall I put this — not enjoying it. For anyone whose idea of puppets is either Muppets or socks with googly eyes, we’re out to change that.” Continue reading 

Gabriel’s Guide to the Galaxy

Composer and singer Gabriel Kahane presents the Oregon premiere of 'Gabriel’s Guide to the 48 States' at OBF

Gabriel Kahane

Ever since his sly 2007 breakthrough — the witty Craigslistlieder — songwriter-guitarist-pianist-composer Gabriel Kahane has rightly resisted the classical label originally affixed because of his music’s relatively sophisticated arrangements and instrumentation and the fact that his dad, Jeffrey (with whom he’ll share the stage at the Oregon Bach Festival), is a renowned classical pianist and conductor. Continue reading 

Punching Through Genres

Catching up with mando player and new Oregon resident Chris Thile of The Punch Brothers on the eve of Oregon Bach Festival

Chris Thile

Mandolinist whiz Chris Thile did not begin his career with an innate love of classical music. “Until I was 15 or 16, I couldn’t have cared less about classical music,” Thile tells EW. “I grew up playing fiddle tunes where the whole point is getting people’s bodies to move, and I thought classical music was completely divorced from the body.” Although he had family members who played classical music, Thile had already won the national mandolin championship at age 12. Continue reading 

GARNERDANCE at OCT, June 17, Eugene

GARNERDANCES premiered Strings! An Evening of Dance, at Oregon Contemporary Theatre, June 17.             The evening’s length work featured dancers Shannon Mockli, Laura Katzmann, Mariah Melson, Suzanne Haag, Antonio Anacan, and Cory Betts, with choreography, costumes and lighting design by Brad Garner. Continue reading 

Eugene’s own hula school, Na Pua O Hawai’i Nei (The Flowers of Hawai’i), presents its annual ho’ike exhibition

Eugene’s own hula school, Na Pua O Hawai’i Nei (The Flowers of Hawai’i), presents its annual ho’ike exhibition June 25 at Cascade Middle School auditorium, 1525 Echo Hollow Road. All classes will perform, from preschoolers through kupuna (elders).  It’s all too easy to dismiss this art form. How many tipsy mainland tourists have watched an overpriced hotel hula show and thought, “What’s the big deal? I could do that.”  Continue reading 

Taking the Leap

UO professor Brad Garner premieres Strings! with his new dance company at Oregon Contemporary Theatre

Brad Garner

For professional dancer and choreographer Brad Garner, inspiration comes directly from community. “I’m inspired by community and the relationships among members of a community,” says Garner, whose dance company GARNERDANCES premieres Strings! An Evening of Dance at Oregon Contemporary Theatre June 17-18.  “I’ve always been intrigued by human behavior — that interaction between people, and how people change in different contexts and group dynamics,” Garner says.  Continue reading 

When it comes to making art, people in the performing arts get a raw deal

Dancer Jun Tanabe of #instaballet

When it comes to making art, people in the performing arts get a raw deal.  A poet just needs a pen, right? A studio artist just needs a little space and some supplies. (Unless you work in a medium like cars or buses or something. Please don’t flood my inbox with letters of complaint; I’m just trying to make a point.)  Anyway, for dancers, rehearsal time is pretty dear: Rents can be prohibitively high for sprung-wood floors, safe for bare feet and careening bodies. And securing a performance venue? Oy.  Continue reading 

Regret, Regret, Regret

Chekov updated for a post-Prozac world in OCT’s uneven production of Vanya and Sonia and Masha and Spike As with writers David Mamet or Aaron Sorkin, to properly experience playwright Christopher Durang you first have to commit to the musical rhythms of his language. Durang’s humor, dark and cynical as it is, lies within that rhythm. Continue reading 

Medieval Malarkey

Very Little Theatre’s current production of Spamalot

The irreverent postmodern humor of Monty Python — a stew of bawdy iconoclasm, parodic schmaltz and geek-boy cheekery — achieved perhaps its finest expression in the 1975 movie Monty Python and the Holy Grail. This cult classic contains so many insider touchstones (the Knights Who Say Ni, Frenchmen who fart in your general direction, a homicidal rabbit) that, by now, it requires its own cultural thesaurus. Continue reading