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Rule No. 1: All works must be original. No. 2: No breaking anything, including the law. No. 3: Go over five minutes and the lights … Continue reading
Until recently, the threat of coronavirus still seemed distant. Even with several cases in Oregon, life in Eugene went on as normal. Plays and other … Continue reading
For nearly 20 years now, I’ve held a regular gig reviewing local theater productions, first in Seattle and then here in Eugene. What began as … Continue reading
The University of Oregon picked a fine time to produce A Doll’s House, Henrik Ibsen’s groundbreaking feminist play that shocked the world for decades after … Continue reading
The Simpsons are responsible for my worldview, more so than any school, church or afterschool group. And as I get older, I start to understand … Continue reading
You can never have enough fringe theater, especially in Eugene, where spontaneity, grotesquerie and a flair for the absurd are major components of our offbeat … Continue reading
Several first timers (including yours truly) filled the Hult Center’s Soreng Theater this past weekend at Radio Redux’s one-weekend run of the Hollywood classic Sunset … Continue reading
Cottage Theatre opens its 2020 season with new seats and an absurd, slow start. Let me be clear: It’s supposed to be slow. Directed by … Continue reading
In what is perhaps the most appropriately named show in all of theater, Nunsense is the hilarious and irreverent holy mother of musical revues. A … Continue reading
In the past decade, the Lebanese American playwright Stephen Karam has garnered a substantial list of prestigious theater awards, including a Tony, an Obie and … Continue reading