Eugene Weekly

Way back when, the late, great American writer Kurt Vonnegut published a short story — “Who Am I This Time?” — about a pair of community theater actors who, awkward in so-called real life, fall in love through the character they play on stage. In Vonnegut’s sure hands, the conceit is melancholy and sweet, a concession to the fraught slapstick of authentic emotional connection. Continue reading →

Sharply written and deeply empathic, Steve Yockey’s Blackberry Winter trains a bright light on Vivienne, whose mother has lived with Alzheimer’s disease for a few years and is now in the throes of transitioning from assisted living (Vivienne refers to it as “the Residence Inn”) to a more confining, yet safer, nursing home.   Played with tenderness and perfect clarity by Mary Buss, Vivienne is magnetizing as she draws us towards onstage objects that both elicit and anchor all-too fleeting memories: a little wooden horse, a pile of ladies’ scarves, a trowel.  Continue reading →

If we could time travel, rock-‘n’-roll fans might want to dial their wayback machines to Memphis’ Sun Records, Dec. 4, 1956, when legends Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash created an unforgettable musical session.    Perkins, already a powerhouse with hits like “Blue Suede Shoes,” had booked the studio that day and hired a little-known session player to back him up — a guy named Jerry Lee Lewis.  Continue reading →

“It’s been some time that I’ve been wanting to have music that gives voice to those who’ve gone through Alzheimer’s disease and dementia,” says Eugene Concert Choir artistic director and conductor Diane Retallack, who has poured her energies into making the world premier of composer Joan Szymko’Shadow & Light a reality.    Continue reading →

Ah, Paradise: What an orchard of happiness. Endless green, endless time and endless innocence, unsullied by death and the knowledge of it. What’s not to like? But God, in his infinite wisdom, looked upon Eden’s immaculate expanse and thought unto himself: Needs something. Needs a beholder to appreciate my handiwork and artistry, my Godness. Needs people. And so there were people, and everything went to hell. Continue reading →

Two couples, one reeling from the horrific murder of their only daughter, the other coping with a terminal illness that is reaching its late stage, come together and confront their demons: This is the thumbiest of thumbnail sketches of The Quality of Life, a play by Jane Anderson that explores the specter of death, the lash of loss, the cycles of grief and how people make meaning amid chaos and crisis — in short, it’s about life itself. Continue reading →

With perfect political timing, a new dinner theater company brings Murder on the Campaign Trail to town The newly minted Mystery Mayhem Theater Company’s dinner show, Murder on the Campaign Trail, opens in Springfield this weekend, with a sendup of the political process and whodunit rolled into one.  The show’s co-producer, Tony Stirpe, cut his teeth on shows like this.    Continue reading →

Clocking in at nearly four hours, University Theatre’s production of Scorched is something of an endurance test, and the stamina it requires is more than just physical. Bloody and unrelenting, the play transports the audience front and center to hell on earth, and its emotional impact is undeniable, like a seizure of post-traumatic stress that won’t let you go. Continue reading →

Written in 2003, Scorched is by Lebanese-Canadian writer Wajdi Mouawad. Opening Thursday, March 3, University of Oregon theater arts instructor Michael Najjar directs the play at University Theatre.  “Scorched is about a pair of twins who attend the reading of their mother’s will,” Najjar explains. “They are charged by their mother to find their father and brother they never knew they had.” If the siblings don’t follow this request, they are not allowed to bury their mother properly.  Continue reading →