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Oddly enough, it was a misguided defense of Elle that made me come around — to some degree — to Paul Verhoeven’s latest Rorschach test … Continue reading
The assassination of President John F. Kennedy in a Dallas motorcade on Nov. 22, 1963 was a national tragedy, but it was also a nightmare, … Continue reading
Despite opening to a fairly lukewarm reception in 1943, Casablanca has become one of the most beloved, if not the most beloved, Hollywood films of … Continue reading
For the first 30 minutes or so, Passengers is a decent film. If you like Chris Pratt, you’ll probably raise that decent to a “good” … Continue reading
There’s never been a Star Wars movie as simply beautiful to look at as Rogue One: A Star Wars Story. Whatever his other flaws as … Continue reading
There came a moment early in Kenneth Lonergan’s new film when I knew I was in trouble, emotionally speaking: Led by the doctor into a … Continue reading
Tom Ford’s second feature, , is a movie within a movie, and while both are lushly attractive, full of precise light and deep reds, neither … Continue reading
As a critic expected to say something moderately interesting and revealing about the film at hand, I find myself in a difficult position here. I … Continue reading
“Not all opinions are equal.” This statement, tucked into Denial with little fanfare, forms the meat of the film’s focus. A sturdy yet affecting courtroom … Continue reading
Local writer and filmmaker Henry Weintraub suspects that the horror genre has come to a dead end. “Modern horror movies don’t really capture me too … Continue reading