Eugene Weekly

On Tuesday, Jan. 7, psychobilly legend Reverend Horton Heat arrives at WOW Hall to promote the band’s new album, REV. They’re here to preach the “Gospel of Rock and Roll,” and you’ll be sure to hear a few new songs, including, “Victory Lap,” “Smell of Gasoline” and “Let Me Teach You How to Eat.” But don’t expect a cooking lesson. Jim “Reverend Horton” Heath says, “That song is basically about sex.”  Continue reading →

Classical music people are always fretting about how to keep the genre from declining along with its aging audience by getting hip to the 21st century. That means, at a minimum, doing what popular music, dance and theater have always done, and what classical musicians themselves did until the last few generations: perform the music of their own time, i.e., now. But sometimes it also means rethinking the presentation to suit today’s more visually oriented culture. A cool concert at the UO’s Beall Concert Hall Friday, Jan. 10, does both. Continue reading →

For Jans Ingber, vocalist for The Motet, Eugene is where it all started. “Eugene was an awesome place to grow up and be a high schooler,” Ingber says. “I was in this band called The Boogie Patrol Express, and we were an original disco band. We sold out the WOW Hall a few times and did that for a few years, so that started my love of music and was my foot into the music biz.” Continue reading →

When interviewing a band called Levon’s Helmet, the lead question writes itself: What’s up with your most excellent band name? “Me and Gordon were in this band called Water Tower [formerly Water Tower Bucket Boys],” says Jason Oppat, drummer and vocalist for Portland-based power pop trio Levon’s Helmet. “When we decided to make our own music we just went with it. At the time it was kind of a joke. It’s a little bit of a jab at folk and country music.”  Continue reading →

Baroque music and candlelight make a fine combination. On Thursday (12/20) and Friday (12/21), the Oregon Mozart Players’ annual Candlelight Baroque concert returns to the ideally intimate setting of First Christian Church. This year’s program features some of the finest music of the Baroque era: J.S. Bach’s ever-popular Cantata No. Continue reading →

“Keep an eye out,” warns Johnny Kraft, drummer for local skate-punk trio Bad Luck Blackouts. “It’s been a slow time for us but it’s been a very productive time.” Since February 2013, Bad Luck Blackouts have been recording their full-length debut locally at Roadrunner Studios. The album, simply called 13 (in keeping with the band’s bad luck theme), is out now.  Continue reading →

Paul Basile, singer and primary songwriter of New York-based indie rockers Great Elk, is spending the winter playing solo shows. Great Elk’s 2012 release Autogeography is a sweeping, tuneful and epic work of American indie music. There’s a little Death Cab For Cutie-style romantic sadness in the soaring chorus of “The Weight Of The Sea,” and in the refrain from the song “Give Up,” Basile sings, “Let’s give up trying to be magnificent.”  Continue reading →

If you’re looking for the life of the party, look no further than Celtic folk-punk outfit Toad in the Hole. And since EW last caught up with them in January, they’ve brought some new partiers to the scene. New Toaders are Tiffany Holliday on fiddle and Chris Leland on guitar (both formerly of electric Irish punk-rock band ManOverBoard), as well as Graeme Pletscher on tin whistle (of Sol Seed sax fame). Meanwhile, veteran Toader and bodhran player Joel Kenney is on indefinite hiatus because of a study abroad stint in St. Petersburg, Russia.  Continue reading →