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California’s Sonny & The Sunsets current release, Moods Baby Moods, is a contender for 2016’s album of the year. The record’s elements are familiar: ’70s and ’80s English New Wave and New York art-pop grooves mix with Lee Scratch Perry-style studio experimentation and wubba-wubba dub atmosphere. Continue reading
Bravo, Scapino! Based on Molière’s 1671 comedy Les Fourberies de Scapin, Cottage Theatre’s presentation of Scapino! — directed by George Comstock — is a quirky tale of love and mischief. The play is set in Naples, and the frantic plot is fairly easy to follow, assuming you’ve had enough coffee that day. Continue reading
Eugene painter Ellen Gabehart’s home is far from a Martha Stewart-esque suburban rambler stocked with Ikea purchases. Gabehart has art covering every inch of her cozy space, furniture included. She reminds me to check the art in the bathroom before we sit down in her studio. Gabehart strikes me as the epitome of a Eugene artist with a history of activist work, community building and a mix of both trippy and political art pieces. Continue reading
The Lobster is the English-language debut of Greek director Yorgos Lanthimos. As far as I can tell, it’s a near-perfect film, a movie of surpassing oddness and eerie beauty, though hardly an easy one to digest. Nor is it very pleasant, in the conventional sense. Continue reading
Snow Tha Product is a pint-sized rapper who brings high-voltage ferocity to the hip-hop scene, drawing on her Mexican heritage with a twist of Cali-Texan influence. The self-made femme-c seamlessly creates rhymes that are on par with — if not better than — most mainstream artists of the same genre. Snow started sewing together rhythm and words at freestyle battles down in Texas, where she found her niche. Continue reading
For touring bands, finding a reliable person to run the merch table, selling assorted paraphernalia, can be a challenge. But on one of Jaill’s passes through Eugene, the band found a creative solution. “We were bringing an elderly man-puppet on tour to help sell merch,” recalls Jaill bandleader Vincent Kircher. “We were putting taquitos in its mouth, glasses on his face and people posed with the doll. That sounds dumb and unfun, but it wasn’t.” Continue reading
Oil paintings of Martin Luther King Jr., Nelson Mandela, Frida Kahlo and Abraham Lincoln, among others, lined the walls of downtown Eugene’s Townshend’s Teahouse amidst the chatter of conversation and the clinking of ceramic mugs against tabletops. These portraits are the work of Simon Graves, a Eugene artist whose current oeuvre is focused on the importance of the constructs of good and evil — and specifically the characters we tend to conceive as being good on an iconic, archetypal level. Continue reading
Purple pages: Storm Entertainment, a Portland-based comic and graphic novel company, has just released the comic book biography Tribute: Prince in honor of the late artist and his June 7 birthday. Michael Frizell wrote the 24-page comic and Ernesto Lovera and Vincenzo Sansone created the art. “His sound and lyrics defined the era for me in ways that Michael Jackson didn’t and, quite frankly, couldn’t,” Frizell says via press release. Continue reading
Many head for the hills, beaches, mountains and rivers to bask in what is the Great Oregon Summer. Others run for their paints, chalks, clays, sewing machines and cameras to capture the spirit of summer. Or dive into exhibits in museums and galleries (mmm, air conditioning). Summer in Oregon is prime time to explore the arts, from Springfield to Coos Bay to Portland. Here are EW’s top summer picks for the arts: The BIG INK Express Continue reading
When it comes to making art, people in the performing arts get a raw deal. A poet just needs a pen, right? A studio artist just needs a little space and some supplies. (Unless you work in a medium like cars or buses or something. Please don’t flood my inbox with letters of complaint; I’m just trying to make a point.) Anyway, for dancers, rehearsal time is pretty dear: Rents can be prohibitively high for sprung-wood floors, safe for bare feet and careening bodies. And securing a performance venue? Oy. Continue reading