Sasquatch! Music Fest Musings
Arts: Page 328
The Absurdist
Winner of the Andy Kauffman Award, comedian Brent Weinbach returns
Brent Weinbach is goofy, strange and smart — the perfect combo for a comedian coming to Eugene. He’s your Renaissance everyman: A former professional jazz pianist, Weinbach writes and co-directs the web series Pound House, hosts a podcast on video game music that predates the millennium, and has appeared on reigning comedy platforms like Conan, Comedy Central, HBO and IFC as well as touring with the Comedians of Comedy. Continue reading
For Whom the Belle Tolls
The illegitimate, biracial daughter of a British navy admiral, Dido Elizabeth Belle, was born into complicated circumstances. In Belle, director Amma Asante and screenwriter Misan Sagay take some liberties with what’s known about the real Belle, but strict accuracy isn’t the point of Asante’s lush, Jane Austenesque film, which belongs fully to Belle (Gugu Mbatha-Raw). Continue reading
Turn On the Waterworks
Portland’s Water Tower has come a long way since stomping the Americana revival boards late last decade. With an all new lineup — excepting frontman Kenny Feinstein, who’s been along from the start and recently signed with Fluff & Gravy Records — the band leaves the old-time ever so slightly to bring a fresher rock ‘n’ roll sound. Continue reading
Gritty Grass
Three years have passed since Eugene’s perennial favorite rock-grass outfit, Alder Street (formerly Alder Street All-Stars), released its last album. With the debut this month of Americannibal, rest assured, it was worth the wait. “In three years you have time to get your shit together and write songs that are solid,” says Ian Royer, guitarist and a songwriter for the band. “We’re happy with every single song.” Continue reading
American Memories
From New York folk to Eugene’s Vocal Arts Ensemble
Last year’s film Inside Llewyn Davis helped revive memories of one of the great voices of American folk music. The fictionalized Cohen Brothers movie was based on the memoir of New York singer Dave Van Ronk, who mentored a whole generation of young folkies. Continue reading
Shacked Up
Once upon a time, record label Alive Naturalsound released the debut from a little band called The Black Keys. Now, that same label has released More Primitive from Seattle-based boogie-blues trio Lonesome Shack. Considering the Keys’ meteoric success, does Lonesome Shack’s Ben Todd (vocals/guitar) feel any pressure to live up to expectations? “I don’t feel any pressure but I do hope it does well,” Todd tells EW via email, “and I’m happy to be working with Alive. It seems like the most fitting label around for us.” Continue reading
CyHi the Prynce is part of Kanye West’s GOOD Music crew
Behind every great man is a great team. Hip-hop artist CyHi the Prynce is part of Kanye West’s GOOD Music crew; in fact, CyHi garners writing credits on nine out of 10 tracks on Yeezus. In February, he released his sixth mixtape via GOOD Music, Black Hystori Project, an 18-track meditation on civil rights and iconic figures including Nelson Mandela, Napoleon, Coretta Scott King and Jean-Michel Basquiat. The mixtape is drawing comparisons to The Miseducation of Lauryn Hill for its social message. Continue reading
Walk of Shame
No Shame Theatre celebrates five years of renegade performances downtown on First Friday ArtWalk
Conversing with Jeff Geiger is an object lesson in the power of pure enthusiasm. As artistic director of No Shame Eugene, Geiger is a tireless advocate for the sort of populist, no-holds-barred participation in art that defines his outfit, which is less theatrical troupe than a renegade vaudeville venue in which anyone can participate. No Shame Theater, as Geiger describes it, approaches the planned chaos of flash mobs, where minimal rules harness maximum creativity. Continue reading
Down the Rabbit Hole, Again
University Theatre stages an adaptation of Alice’s Adventures in Wonderland for Generation Twilight
According to Dr. La Donna Forsgren, playwright and associate professor of theater arts at University of Oregon, there are three things newcomers should know when they sit down to enjoy her adaptation of Alice’s Adventures in Wonderland at Hope Theatre: 1. Clap when you want. 2. Laugh when something funny happens. 3. Dance along if you like the music. (Oh, and there will be a bathroom break, too.) Continue reading