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If you’re a little wary of Lars von Trier — never sure whether you’re going to take him seriously and get laughed at, or laugh at him and find you should’ve taken him seriously — you are hardly alone. His last film, Melancholia, was surprising for not offending or pushing buttons; instead, it left me crushed and dazed. Continue reading
After breaking into the modern rock and alternative worlds in 2011 with hit singles like “Cough Syrup” and “My Body” from its self-titled debut record, Young the Giant needed to decompress before starting work on its 2014 release Mind Over Matter. Continue reading
“Like a Stranger,” track one off L.A. band Kitten’s 2013 release of the same name, is romantic ’80s dance-pop to the max — all smoke machines, teased bangs and the distinctive electric-boogaloo beat of the era; think Madonna’s “Lucky Star” meets Pet Shop Boys remixed by early hip-hop pioneer Grandmaster Flash. Continue reading
Don’t be surprised if Future Islands comes snapping out of 5th Alley like a gang of dancing street toughs from 1955. The North Carolina-founded, Baltimore-based synth-pop trio has grooves to spare, and lead vocalist Samuel T. Herring has some dance moves that will make you feel inadequate. They’ve been working at that can-do sound of theirs, all the while evolving from kids to adults, and nowadays they’re surfing a wave of half-maturity that leaves their sound feeling hopeful, ponderous and full of heart. Continue reading
Calling all muralists! Four bridge pillars are waiting to be someone’s canvas at the new Washington Jefferson Skatepark, which, once complete (grand opening is slated for June 21), will be the largest covered and lighted public skate park in the nation. The city is hosting a tour of the facility 10:30 am Thursday, April 3. Interested artists should register by contacting isaac.r.marquez@ci.eugene.or.us or call 541-682-205; applications must be submitted by 2 pm Friday, April 11. Continue reading
You know him as the government employee with the most swagger (Tom Haverford, Parks and Recreation), the rambunctious, Oligocene-era rabbit pirate Squint (Ice Age: Continental Drift), the guy at James Franco’s party who gets kicked into hell’s sinkhole by Kevin Hart (This is the End) and the tagline-spewing hack comedian Raaaaaaaandy (Funny People). And, of course, just as standup comedian Aziz Ansari. Continue reading
Catch a cozy eve of tunes at Sam Bond’s 9:30 pm Friday, March 28, with Eugene’s swampy, New Orleans-tinged foursome The Long Hello and Spokane’s achy-breaky folk rock outfit the Marshall McLean Band. If you can peel your eyes away from the stage, check out the mystical paintings of Jayme Vineyard for Last Friday Art Walk. Continue reading
Ryan Lella of Portland’s A Happy Death loves vintage garage rock like The Beau Brummels, The Sonics and The 13th Floor Elevators. The songwriter is also into stuff by Thee Oh Sees and Ty Segall — contemporary artists leading the Bay Area’s recent garage and psychedelic rock revival: a movement that seems to be catching on up in Portland as well. “Ty Segall and Thee Oh Sees kick ass!” says Lella, who sings and plays guitar in A Happy Death. “They totally reinforce how stoked we are to play the kind of music we do.” Continue reading
As MF Doom once said, rap these days is like a pain up in the neck. Seriously, the ratio of intelligent lyricists to not-exactly-lyricists-at-all leans heavily toward the latter in this time of ours. (“You a stupid ho, you, you stupid ho, etc.”) That’s why Bun B’s a cool drink of water, even if he is a crusty old G. He’s been at it since 1987, and cut his teeth as one half of UGK (Underground Kingz), who had their first major release in 1992. To understand why this is impressive, it is important that we look at rap’s evolution as a whole. Continue reading