They Dreamed a Dream
Les Miz dazzles at the ACE
On its surface, Les Misérables, the operatic adaptation of Victor Hugo’s classic novel, can come across as a maudlin chain-yanker that nabs every low-hanging fruit it can reach, including issues of abject poverty, human degradation and the tragic death of a good-hearted prostitute. The show seems, in a way, beneath common dignity, if only because it strives so hard to achieve it. And because of this, people of high-aspiring intellect (snobs) tend to avoid Les Miz, ranking it on a level with Cats and other shitbird musicals by Andrew Lloyd Weber. Continue reading