She’s A Maniac!

Catching up with the star of Flashdance: The Musical, coming to the Hult

Karli Dinardo as Alex Owens photo by Denise Truscello

The 1983 film Flashdance shook up American culture. Racy and sweet, the movie defined fashion at the time, introduced what seemed like very new, edgy street dance, and taught a generation of young women how to take their bras off underneath their sweatshirts.  Based on the phenomenally successful film, Flashdance: The Musical adapts to the stage the story of Alex Owens, a welder by day and bar dancer by night, who has big dreams of one day becoming a professional ballet dancer.  Continue reading 

Party Like it’s 1825

Photo by Brinkley Capriola / brinkleycapriola.us

In the annals of things I’ve made my long-suffering husband Ben do, this latest one might take the cake: “Honey,” I said. “Thursday night we’re going to the Vet’s Club for a night of English country dancing, OK?”  Ben immediately suggested that if we were going to try our hand at the intricate dance forms of the Regency Era, we really ought to be crocked out of our gourds on claret — or at least, he should be.  Continue reading 

The Spin

Eugene Ballet Company principal dancer Yoshie Oshima as Cinderella. Photo by Jon Christopher Meyers.

This is your last chance to score tickets to Ballet Fantastique’s 5X5 celebration Friday, Oct.10, at the Hult Center, featuring dinner, performances, an auction and after party (Good thing dancers have a lot of stamina). Proceeds from the 5X5 shindig benefit Ballet Fantastique’s educational outreach programs. Tickets are $55-$155 at balletfantastique.org.  Continue reading 

The Spin

While you’ve been getting ahead of that bumper crop of zucchinis, local dance-makers have been busy building new pieces to perform this month. Check out Dance in Dialogue (D.i.D.), a “salon-style community performance series” initiated by choreographers Margo Van Ummersen, Shannon Mockli and Carolina Cabellero that invites the audience to provide precious feedback to artists on new and emerging works. A thoughtful approach to two problems facing any performing artist — securing a venue and finding an audience — D.i.D. Continue reading