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So often we accept the history served to us. We hold collective truths about our past to be self-evident: Jane Roe and her legal team were brave, honorable women fighting for reproductive rights. Vietnam was a worthless war the U.S. never should have been involved in. Classic theater works are important, but generally not very fun. Continue reading
Oregon Performance Lab is back for its second summer of theater workshops, bringing rising playwrights of America to Eugene. Described as a “three-week pop-up laboratory,” OPL connects artists with venues, actors and an audience for theatrical experimentation. The wife-and-husband team of Willow Norton (artistic director) and Corey Pearlstein (creative director) are based in New York but have roots in Eugene. On the heels of last year’s successful inaugural season, now they are fueling even more ambitious plans. Continue reading
It’s such a good idea. Why didn’t someone think of it sooner? “I was out one day moseying around on Skinner’s Butte,” Robert Newcomer says. “I thought, ‘Wow, this is fairyland up here.’” Newcomer, a native Texan and theater arts educator who relocated to Eugene four years ago, is directing Shakespeare’s A Midsummer Night’s Dream in the inaugural production of Bard on the Butte. Continue reading
As an accidental theater critic for the past 15 years or so, first in Seattle and now in Eugene, I’ve had the great good fortune to see Shakespeare performed in a variety of ways and in a variety of settings, professional and otherwise. Often upon the stage it’s just a poor player strutting and fretting, signifying very little, yet other times the work is divine beyond all reason. Continue reading
Living in Oregon’s Willamette Valley means that Manifest Destiny, also known as the Pacific Ocean, is never more than an hour away. From this distance, or even up close, it’s easy to romanticize such a beautiful place. Gazing upon the Pacific, anything feels possible. Visit the Oregon Coast, however, and sometimes you find sandblasted people and communities, stooped low against literal and metaphorical headwinds — economically and emotionally depressed. Continue reading
Hear ye, hear ye: EW’s annual dance issue is slated for September and we want your dance listings including date, time, location, cost and genre. Please send dance listings to alex@eugeneweekly.com with “Dance Listings” in the email subject line by Aug. 15. The Eugene Ballet Company (EBC) has received a $200,000 grant from the Richard P. Haugland Foundation, as well as $40,000 from the Hult Endowment, to create a new work: Move over Elsa, here comes The Snow Queen — premiering April 2017. Continue reading
Central to the comic tension of You Can’t Take It With You is a fairly routine dichotomy that, perhaps by its very nature, remains forever unresolved, and which best might be summed up thus: freedom versus bondage. Of course, freedom and bondage have been at war since before Socrates whispered in Plato’s ear and Jesus put a shellacking on the Pharisees, but in this country we like to imagine capitalism invented the eternal conflict between vile materialism and spiritual liberation — in other words, Wall Street versus Main Street. Continue reading
The passion of a young scholar knows no bounds. In the pursuit of knowledge, the King of Navarre and his best friends swear a sacred vow to renounce sleep, wine and even women for three years as they engage solely in educating themselves. Then the witty Princess of France and her ladies in waiting arrive at the court of Navarre to negotiate a land dispute. Mayhem ensues. Continue reading
We were deeply troubled today when we received the letter below detailing incidents of racism and homophobia towards our friends at the Oregon Shakespeare Festival in Ashland. As evidenced by this and the recent cancellation of the Festival of Eugene due to an incident of racism, it's becoming more and more apparent that these are not isloated incidents but evidence of an alarming national trend. An Open Letter to Our Community Continue reading
Eugene audiences have a rare opportunity this summer to see School of Rock, a hit musical still running on Broadway. Eularee Smith, executive director of Upstart Crow Studios, says it’s unusual for a show still on Broadway to be licensed for nationwide production. Upstart Crow Studios is a local nonprofit youth-oriented performing arts association. Continue reading