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The year is 1928, the last gasp of the good times before the crash of the Great Depression. Fringe is flying, bathtub gin is flowing and Queenie and her man Burrs are in a bad romance. Continue reading
The seventh-annual NW10 Festival returns this week with a handful of 10-minute plays premiering at Oregon Contemporary Theatre. “There’s a big difference between a skit and a 10-minute play,” insists festival co-founder Paul Calindrino. “A skit is like a one-line joke, whereas a 10-minute play has the potential to be a fully self-contained dramatic unit with character development, emotional impact and narrative force.” Continue reading
A Funny Thing Happened on the Way to the Forum captured our country’s imagination when it debuted on Broadway in 1962. A young Stephen Sondheim wowed audiences with an interesting score, providing a teaser to his masterful later works. The book by Burt Shevelove and Larry Gelbart is based on Plautus’ Roman comedies, resulting in a goofy, sometimes brainy farce that manages to reflect a deep respect for the humor of antiquity. Continue reading
Sweeney Todd: The Demon Barber of Fleet Street is one of the peaks of Stephen Sondheim’s stellar career as America’s greatest musical theater composer, which, after multiple Tonys, Grammys, a Pulitzer and other laurels, received another boost with 2014’s film version of his musical Into the Woods. Continue reading
This week, visiting London professor Stephanie Jordan’s lecture “Rites of Spring: A Century of Tradition,” looks at Igor Stravinsky’s famous dance score, from its riotous premiere to its many creative permutations, at 1 pm Thursday, March 5, on the UO campus. And next week, Pablo Luis Rivera presents an interactive evening of music and dance, featuring Puerto Rican Bomba, a traditional musical style combining Spanish, African and Taino cultures, 7:30 pm March 12; $8-$12. Continue reading
When it comes to accessing the arts, sometimes money isn’t the only obstacle. Institutions like museums, theaters and concert halls may inadvertently express an air of exclusivity, creating an invisible barricade to community members who don’t fit the profile of “arts patron.” Locally, the Eugene Opera is addressing this issue through its innovative Community Tix program, which provides free and reduced tickets to its performance season, along with something less tangible: a sense of belonging. Continue reading
“I’m an activist,” says Angelita Chavez in her pico, a traditional handmade slip with red lining that shows when you pull the skirt up to dance the zapateado. “Here, I’m a dancer.” Continue reading
Considering the sterling reputation of J. Cole, it’s incredible that his new tour kicks off here at the McDonald Theatre. Continue reading
In the Information Age, it can be difficult to assess where routine ends and passion begins. The monotony of the daily grind can make you downright maniacal. Luckily, Work Dance Company director and choreographer Nate Boozer is here to give you a reboot. Boozer and more than 100 dancers, that is. Work Dance Company’s presents Mechanical Dancer: REINV3NTION Feb. 21 at the Hult Center. Continue reading
The musical Memphis follows stardust hopeful Felicia Farrell and disc jockey Huey Calhoun on their ascent from underground juke joints to rock ‘n’ roll fame. A Broadway smash from 2009 to 2012, Memphis won Tony Awards in 2010 for Best Musical, Best Book (by Joe DiPietro) and Best Original Score (by David Bryan and DiPietro). Now on its second national tour with new direction and choreography by Amy McCleary, the 22-person touring version of Memphis performs at the Hult Center Feb. 23 and 24. Continue reading