Monsters, Mayhem and Mel Brooks

The Actor’s Cabaret of Eugene brings Young Frankenstein to Life

“It’s Fronkonsteen!” he barks, steadfastly denying his monster-making roots in Transylvania. But when the death of his grandfather necessitates a trip back to the family castle, the temptation is too great. The young neuroscientist’s eyes glow as he reads through his infamous grandfather’s notes. He becomes possessed by possibility of creating life. The townsfolk, long horrified by the Frankenstein family business of animating corpses, don’t trust this transplanted New Yorker with a turnip, much less a newly dead body and an abnormal brain. Continue reading 

Turn On, Tune In, Laugh Out Loud

The Brickwall Comedy Show brings full-time comedy to Eugene’s airwaves

Local comedian Chris Warren told a joke that almost put him in jail. While doing standup in Spokane, Wash., in 2003, Warren made a rough joke about Hillary Clinton, and it caught the attention of the Secret Service, who sent two members to speak with Warren. “I was public enemy number one for telling a joke,” he says. “It was the good cop/bad cop scenario. They told me to never tell the joke again, but then they asked me to tell the joke. I told them and they started cracking up!” Continue reading 

The Man, and Women, Behind the Mask

Ballet Fantastique produces and performs first-ever authorized ballet of Zorro

Zorro had some pretty good genes. On one side his father: Alejandro de la Vega, a soldier with ties to Spanish aristocracy. On the other his mother: Toypurnia, a powerful Tongva warrior who led her tribe into battle against the Spaniards. With parents from conflicting cultures, it’s no wonder Zorro (real name Diego de la Vega) had an identity crisis, growing up to be the swashbuckling, masked crusader who leaves Z’s in his wake. Continue reading 

August in September

Oregon Contemporary Theatre kicks off its fall season with a rollicking family drama

It’s the stickiest month of the year in rural Oklahoma, and the air conditioning is off. That’s the way Violet Weston likes it, despite the fact that she’s hosting a houseful of sweltering family members who’ve gathered in her home following her husband’s disappearance. Her three daughters are here, and they’ve brought assorted husbands and children in tow. Caring for seemingly fragile Violet in her hour of need should feel like a “Very Special Episode” of your favorite TV show. Continue reading 

Playwright of Champions

Aaron Posner reflects on his upcoming play at OCT, Vonnegut and filling the seats

For those among us who prefer our artists to be a bit prickly — the artist as porcupine — let me first point out that playwright Aaron Posner is the recipient of the 2012 RuleBreaker Award from No Rules Theatre in Washington, D.C. During the award ceremony in June, actor Holly Twyford summed up her appreciation of Posner thusly: “Your honesty is usually right on, sometimes brutally so.” Continue reading 

Red-Hot Honky Tonk

The Red Cane Theatre kicks off the fall season

A pair of city slickers arrives in a podunk town. They’ve come to close the local saloon, which is financially strapped. The businessmen’s trip is something of a lark; though their mission is clandestine and cutthroat, they find the saloon, and the people in it, quaint and charming. One of the businessmen starts to fall for the saloon’s proprietress, a gorgeous, lovelorn woman with a stubborn streak. Drama ensues, and the whiskey flows. Fights erupt. Hearts collide. Continue reading 

To Kill For

So just how juicy is the role of murderess Roxie Hart in the Tony-winning Broadway musical Chicago? “It’s very juicy,” says actor Paige Davis, who will be playing the homicidal vamp when the touring production stops for two shows Sept. 10 and 11 at Eugene’s Hult Center. “It’s been exceptionally juicy,” Davis adds. Continue reading 

Movers & Shakers

Meet the people who shape Eugene’s dance community

Eugene may not have Moscow’s Bolshoi or New York’s Martha Graham Dance Company; however, just below the city’s surface is a vibrant world of dance, of clacking heels and pointed toes, of “pop, lock and drops” and ball changes. From classical performances at the Eugene Ballet Company and sensual Middle Eastern folk dance at Celebration Belly Dance and Yoga to pioneering modern dance at the University of Oregon and glitzy hip-hop productions at Work Dance Company, there’s a groove for everyone’s mood. Continue reading