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Storm Kennedy and her crew are back with another production of Love, Loss and What I Wore (see “Closet Confession,” EW 2/28). This quirky, insightful play is written by the magical sisters Delia and Nora Ephron and based off the book by Ilene Beckerman. The play looks at the stories of women’s lives through their wardrobes. Continue reading
Steeped in nostalgia and soaked in the nicest kind of naughty, the hit musical Grease has become a cultural artifact of the first order. The songs are a peach. The dialogue is funny, sexy and harmlessly rebellious (the original 1971 version, which was reputedly vulgar and pretty gnarly, has been watered down), and the book — the simplest of boy-meets-girl, boy-loses-girl, boy-gets-girl stories, set in 1959 — gives it a lean, sleek structure. Continue reading
Over the course of his long and storied career, maverick American director Robert Altman reeled off a handful of cinematic corkers: Nashville, M*A*S*H, Gosford Park. Among Altman’s lesser films, sandwiched between Popeye (yes, Popeye!) and Streamers, is an adapted play with the sesquipedalian title of Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean. Folks of a certain age probably recall Cher in that one. And, like me, you may also remember it, vaguely, as a musical along the lines of Hairspray. But it wasn’t, and isn’t. Continue reading
“You show up to an audition in Eugene,” actress Emily Hart says, “and the play will have one or two women’s roles. Maybe they’re good, maybe they’re not, but there will be 30 women competing for them.” The toll this competition takes artistically is a serious one. According to Hart, “It becomes not so much about the joy of theater, but about how I beat other people out for roles.” Continue reading
She showed up for a night of “sex to change the course of the world.” He locked the door behind her and duct-taped the air vents to save the human race. With a careful calculation of comet speed, fish sleep and personal hunches, biologist Jules has pinpointed the cataclysmic end of the world at about 7 minutes away, setting us up for a comedy that takes us for a philosophical swim through evolution and imagination. Continue reading
Pieces of a life burst across the stage; the years slip by, 1952, 1939, 1949. The audience picks up the threads of the story, each scene inspiring the viewer to piece the events together, to crack the code to understanding the life of Alan Turing. Continue reading
Everything is dark except for the truck-sized monolith. Two female figures emerge from the shadows, their bodies athletically twisting and spinning and stomping to the electronic beat, which sounds like someone drumming on crystal stalagmites. Crisp, geometric patterns project upon the monolith, creating a digital trompe l’oeil effect, the electronic shapes dissolving into and out of the forms of the dancers, whose projected images appear to be writhing within the structure as their counterparts writhe freely outside. Continue reading
The house is packed, and squirming, at the Actors Cabaret of Eugene. Kids are spilling in and out of their seats as parents and grandparents sip cocktails and coffee. Everyone is joyous and easy as the bright lights and brighter costumes of Seussical flood the stage in a musical tribute to the 20th century’s greatest children’s author. Continue reading
You know him as the voice of Gene on Bob’s Burgers and as a motley crew of characters on Adult Swim, but Comedian Eugene Mirman is perhaps most revered for his baritone stand-up: a slew of silliness, irreverence and observation. His latest Comedy Central special, Eugene Mirman: An Evening in a Fake Underground Laboratory, was given an A- by the A.V. Club, which Mirman says is “wonderfully reasonable.” Have you ever been to a town that shares your name? Continue reading
The bawdy, angst-filled puppets have returned. In the style of Sesame Street, but with a whole lot more sex, you can cringe in commiseration as Princeton, a recent college grad, searches for his Purpose. Like most 24-year-olds with delusions of significance he manages to lose a job, bungle relationships and spend his rent money on beer, but with a sincere and open heart. Continue reading