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Lerner and Loewe’s 1947 fantasia Brigadoon contains all the familiar hallmarks of a seminal mid-20th century musical: romantic complications of a twee and slightly saucy … Continue reading
Shock, horror! A three-and-a-half hour reminder about how we haven’t changed much as a society in more than 300 years. My babysitter was none too … Continue reading
The buzz in Ashland last weekend at the Oregon Shakespeare Festival’s season openings should, by all rights, have been about Bill Rauch. The popular and … Continue reading
Now receiving its world premiere at Oregon Contemporary Theatre under the direction of Elizabeth Helman, Successful Strategies is a romantic comedy set right in the … Continue reading
Playwright Timothy Andrew McIntosh’s latest drama is a strange beast indeed. Part speculative fiction, part old-fashioned detective story, the play runs its course like a … Continue reading
Winner of the 2013 Tony award for best musical, Kinky Boots resonates with audiences worldwide. Based on a true story — the UK’s Steve Pateman was … Continue reading
When I heard that Paul Calandrino had written a new play called My Happy Hour with Pegoda — as in the Dan Pegoda, as in … Continue reading
It was only a matter of time. Bill Rauch, the Harvard educated wunderkind who over the past decade has elevated the Oregon Shakespeare Festival from … Continue reading
Cottage Theatre’s production of Noises Off is a catastrophe, but don’t worry — that’s exactly the point. This comedy, written by British writer Michael Frayn … Continue reading
There is always a danger, as an artist, in launching forth with a single cause or affliction or ideology and melding it into a work … Continue reading