The Split-Headedness Paradigm
Painter Kaila Farrell-Smith explores her Klamath roots at Ditch Projects
Kaila Farrell-Smith wants to decolonize her mind, and yours. She wants to repair the damage of the brutal concept from her father’s childhood: “Kill the Indian. Save the Man.” The Portland-based painter is exploring “split-headedness,” which she says “comes from being raised within an indigenous/tribal paradigm as well as having education in linear, Western concepts and society,” through her oil portraits and landscapes. Continue reading