Let’s Speak to the Animals
Some pets can actually talk back— in words
Consider a member of the parrot family. These smart, sassy birds — the family includes everything from small parakeets to giant colorful macaws — not … Continue reading
Whats-Happening: Page 324
Political Pup
Peter DeFazio brings home a rescue dog
When politicians visit Eugene Weekly’s offices for endorsement interviews, I have been known to judge them on how they interact with my dogs, who snuggle … Continue reading
TajMo Return for Mo’
Blues musician Keb’ Mo’ had been working nonstop on what would become the Grammy-winning album TajMo. After a weeklong break, he gave it another chance. … Continue reading
EW’s Annual Pet Photo Contest Winners
Congratulations to our contest winners
Post-Post Punk
Portland weirdo-punkers The Woolen Men feel we’re living in a post-post world: post-punk, post-work, post-music industry. In fact, The Woolies have even named their new … Continue reading
Hospitality beyond World Cup Host Cities
Thousands of miles from the closest host city, Russian people’s kindness continues to impress
I may be a rapid soccer fan, but I’m also an environmental and indigenous peoples’ rights advocate, so I couldn’t resist the temptation of visiting … Continue reading
Egotones — Full Session
live in the EW office
Eugene Weekly presents Egotones performing live for #lincolnstreetsessions live at the EW offices. Eugene Weekly’s Back Beat: Lincoln Street Sessions are a series of live … Continue reading
Fedora Fever
The Shedd takes on the tacky suits of the ’50s in Guys and Dolls.
America’s fondness for the 1950s is a strange thing. Beehive hairdos and TV dinners are relics of a consumer-driven past that should have died out … Continue reading
As I Go
Remembering acclaimed musician, producer and Cottage Grove resident Richard Swift
Richard Swift was arguably the most prolific and best-known musician in Oregon. He toured the world with acts like The Black Keys and The Shins, … Continue reading
This Is Not a Drill
A father and daughter go off the grid in Oregon in Debra Granik’s Leave No Trace
Director Debra Granik’s 2010 coming-of-age drama Winter’s Bone set a new highwater mark for American independent cinema. A work of anxious discovery, ancient entanglements and … Continue reading