Contemporary Calico

Jam Tolles explores gender identity and transitioning through art

Jam Tolles

A painting by Jam Tolles reminds me of “Las Meninas,” the enigmatic 1656 painting by Diego Velázquez, even though visually the two have little in common. Velázquez's oil masterpiece depicts members of the Spanish Court in a grand drawing room with a mirror, the figures peering back at you as if you were some sort of peculiar guest popping in.  Tolles filled ketchup bottles with acrylic paint and gooped hundreds of flowers on reflective mylar panels, creating amorphous mirrored pools that reflect the viewer between the blooms. Continue reading 

A Transcendent Year

Dispatches from Pride 2016

While planning EW’s second annual PRIDE issue, we made no deliberate decision to focus on trans women; the stories just emerged organically. Why? we wondered. The answer was obvious to many trans women, scholars and activists who contributed to this issue.  “Trans women are in the spotlight nationally, especially with Caitlyn Jenner and her entire show,” says Jam Tolles, a local artist beginning her transition (see "Contemporary Calico" this issue).  Continue reading 

Accentuate the Positive

The Shedd's OFAM concludes with hits from the home front

Siri Vik

When the United States went to war in 1941, music was in the arsenal. After Japan’s catastrophic sneak attack on Pearl Harbor, the country needed cheering up and troops needed cheering on. The nation’s pop culture institutions were enlisted, going on tours and producing “V-discs” (records) and shortwave broadcasts for deployed soldiers and music about coming home and accentuating the positive for Americans.  Continue reading 

Back Beat

Greetings from the dog days of summer: This week, to help pass the warm drowsy evening-time, Eugene offers an eclectic lineup of live music, from the return of L.A.-based freak-folk artist Globelamp to the second local show in less than a year from Portland indie-rock living legends The Dandy Warhols.  Globelamp plays with Tashaki Miyaki and Mischief Mistress 5 pm Monday, Aug. 15, at The Boreal; $5, all ages until 7 pm.  Continue reading 

Long Day’s Journey at the Beach

OCT premieres Shrimp & Gritts: She’s Gone, a new work from Eugene playwright Paul Calandrino

Bary Shaw and Rebecca Nachison in Shrimp & Gritts: She’s Gone

Living in Oregon’s Willamette Valley means that Manifest Destiny, also known as the Pacific Ocean, is never more than an hour away. From this distance, or even up close, it’s easy to romanticize such a beautiful place. Gazing upon the Pacific, anything feels possible. Visit the Oregon Coast, however, and sometimes you find sandblasted people and communities, stooped low against literal and metaphorical headwinds — economically and emotionally depressed.  Continue reading 

All of Oregon

The Wayne L. Morse Courthouse opens its doors to rotating art exhibits

‘Linda Jarrard’ by Lynda Lanker

As cold and verboten as government buildings typically feel, it’s easy to forget that they belong to us, The People — paid for with taxpayer money, and don’t you forget it. Too often these edifices are lifeless, soul-squashing, Orwellian; but it doesn’t have to be that way.  Here in Eugene, U.S. District Judge Ann Aiken, with a board of art advocates, is trying to shift that perspective by transforming the blank walls of the Wayne L. Morse U.S. Courthouse into a home for art exhibits. Continue reading 

We Are Whiteaker

A selection of residents who make the neighborhood, well, the best

They grow up so fast. The Whiteaker Block Party turns 10 this year and it’s bound to be one for the books — more than 120 years after Oregon’s first governor, John Whiteaker, procured 10 blocks in the neighborhood. To celebrate, EW pays homage to some of the people who keep the Whiteaker weird, whimsical, wayward and wonderful, as well as offering some tips to squeezing the most out of your block party experience. Here’s to the next 10 years.   Continue reading 

The Eugene Ballet Company (EBC) has received a $200,000 grant from the Richard P. Haugland Foundation

Lane Community College student Tristan Giannini performs a repertory piece by Merce Cunningham.

Hear ye, hear ye: EW’s annual dance issue is slated for September and we want your dance listings including date, time, location, cost and genre. Please send dance listings to alex@eugeneweekly.com with “Dance Listings” in the email subject line by Aug. 15. The Eugene Ballet Company (EBC) has received a $200,000 grant from the Richard P. Haugland Foundation, as well as $40,000 from the Hult Endowment, to create a new work: Move over Elsa, here comes The Snow Queen — premiering April 2017.  Continue reading 

Bring Me the Head of Ricky Baker!

Two outcasts head into the New Zealand outback in Taika Waititi’s charming Hunt for the Wilderpeople

Julian Dennison and Sam Neill in Hunt For The Wilderpeople

Hunt for the Wilderpeople by Taika Waititi is about an unlikely pair of outcasts who scamper into the New Zealand backcountry to escape the bumbling clutches of a nationwide manhunt. The film is derivative, predictable, grandiose and utterly sentimental. It is also smart, funny, big-hearted and disarmingly adorable, and it juggles these absurd qualities with dexterity and a winking charm that is almost impossible to deny. Continue reading