We've got issues.
War is hell, no doubt. But for all those nameless, faceless refugees escaping the war at home, the realities of relocation can plunge them into a new kind of nightmare, one almost as bloody and chaotic. Continue reading
Not every garden in the Willamette Valley has super river-bottom silty loam. If your soil sets up like concrete when it’s dry it probably holds lots of moisture in the winter. Some wonderful summer blooming perennials have a problem with that. I’m thinking in particular of the many ravishing cultivars of agastache (ag-ah-STAK-ee) and salvia that have hit the market in recent decades. Lots of them need really good drainage to over-winter reliably in our region. Continue reading
What historically informed European musicians have done for Baroque music, James Ralph does for American musical theater. For years, the Oregon Festival of American Music (OFAM) impresario has been painstakingly supervising the reconstruction of the original scores of George and Ira Gershwin’s classic 1920s musicals, which have been performed for decades only in relatively bastardized remakes for stage or screen. Continue reading
California’s Sonny & The Sunsets current release, Moods Baby Moods, is a contender for 2016’s album of the year. The record’s elements are familiar: ’70s and ’80s English New Wave and New York art-pop grooves mix with Lee Scratch Perry-style studio experimentation and wubba-wubba dub atmosphere. Continue reading
Bravo, Scapino! Based on Molière’s 1671 comedy Les Fourberies de Scapin, Cottage Theatre’s presentation of Scapino! — directed by George Comstock — is a quirky tale of love and mischief. The play is set in Naples, and the frantic plot is fairly easy to follow, assuming you’ve had enough coffee that day. Continue reading
Eugene painter Ellen Gabehart’s home is far from a Martha Stewart-esque suburban rambler stocked with Ikea purchases. Gabehart has art covering every inch of her cozy space, furniture included. She reminds me to check the art in the bathroom before we sit down in her studio. Gabehart strikes me as the epitome of a Eugene artist with a history of activist work, community building and a mix of both trippy and political art pieces. Continue reading
If you're a fan of tea — scratch that — if you like tasty liquids, get yourself over to J-Tea's new Oolong Bar on 19th Avenue just south of the University of Oregon campus. It opened on May 20, and owner Josh Chamberlain says it's been thriving ever since. Continue reading
I squinted through the grimy glass of our office window on the 14th floor of Eugene’s oldest high-rise (and eyesore). I stared down at the city’s streets lined with flushed sweetgums and pin oaks. We’re warming fast — maybe too fast — zooming into summer, maybe another hot, dry vintage, promising big bold pinot noirs, not the cool-country delicacy we’ve come to know and love. The global news on climate change (warming) has been grim: retreating glaciers, sweltering droughts, disappearing species. Continue reading
The Lobster is the English-language debut of Greek director Yorgos Lanthimos. As far as I can tell, it’s a near-perfect film, a movie of surpassing oddness and eerie beauty, though hardly an easy one to digest. Nor is it very pleasant, in the conventional sense. Continue reading
Snow Tha Product is a pint-sized rapper who brings high-voltage ferocity to the hip-hop scene, drawing on her Mexican heritage with a twist of Cali-Texan influence. The self-made femme-c seamlessly creates rhymes that are on par with — if not better than — most mainstream artists of the same genre. Snow started sewing together rhythm and words at freestyle battles down in Texas, where she found her niche. Continue reading