Cambodian Cuisine

If you’re not sure what Cambodian food is like, Horn Nov, the owner of Angkor Cambodian Cafe, offers some tantalizing clues. “Next door to Thailand, next door to Vietnam,” he says about Cambodia’s closest neighbors. “A lot of fresh ingredients, lemon grass, turmeric, ginger.”  The curry, for example, is served with noodles, Cambodian-style. Nov tries to describe it and then decides to bring out a bowl of the colorful dish instead.  Continue reading 

Two Dolla Holla

Though perhaps not the salmon nigiri you’ll rave to your friends about or the most amazing Cali roll you’ve ever had, 541 Sushi Bar’s conveyer belt-style fare really isn’t half bad — especially at a consistent $2 a plate. And the restaurant, which opened Dec. 10, doesn’t aim to be fine dining, anyway. Owner Wookyn Lee would be the first to tell you this. Continue reading 

Word Is

• Want fresh-ground hazelnuts mixed with chocolate? Head over to South Willamette's Market of Choice bulk section — they’ve struck gold with a make-your-own-Nutella contraption. Just resist the temptation to position your mouth under the spigot and pull the lever.  Continue reading 

It’s About Time – April 2015

Do birds return to the same nest year after year? All winter, when the deciduous trees are bare, I look at clots of debris high in their branches and try to pick out which are just clumps of leaves and which are nests. The obstacle to solving this puzzle is that the old nests are obscured by leaves by the time birds might come back. The trees leaf out before most birds begin nesting. It’s hard to tell if the nests are used again. Continue reading 

Spring blasts off with Quixotic Fusion’s Gravity of Center tour

The cast of Eugene Ballet Company’s Tommy.

Spring blasts off with Quixotic Fusion’s Gravity of Center tour, whose performance culminates the city of Eugene’s two-day (sub)Urban Projections digital art and media festival. Hailing from Kansas City, the brainchild of percussionist and artist Anthony Magliano and theatrical designer Mica Thomas (who studied at Southern Oregon University in Ashland), Quixotic combines movement, music, digital art and aerial athleticism to create cutting-edge new work. Continue reading 

The Midas Touch

The Portland-based band Goldfoot features some faces familiar to Eugene audiences: Joe McClain, Elijah Medina and Trevor Forbess, formerly of Eugene’s funk-rock group Volifonix, who took home Eugene Weekly’s Next Big Thing crown in 2012. Goldfoot, which also includes Ruth Heald and Anthony Messano, is celebrating the release of its inaugural three-song EP, On The Floor. Fans of Volifonix may also find Goldfoot’s sound familiar.  Continue reading 

Truth or Treasure

Kumiko is as wide-eyed and offbeat a beautiful loner as there ever was.  Strip away the playful tenderness and uplifting score of the French film Amélie, and it has much in common with Kumiko, The Treasure Hunter, the latest work by American actor and director David Zellner, known for his indie flicks Goliath and Kid-Thing. Continue reading 

Famous Last Words

Local rapper Sam Wartenbee reflects on his label’s 10th anniversary with a new book and album

Sammy Warm Hands

“People won’t commit to your music if you don’t commit to it first,” says Sam Wartenbee, Eugene rapper and Crushkill Recordings artist. If you’ve paid attention to local music for any length of time, chances are you recognize Wartenbee (aka Sammy Warm Hands), whether from hardcore punk band This Day’s End or local hip-hop act The ILLusionists.  Ten years ago, Wartenbee started his own recording studio and record label, Take 92 Music.  Continue reading 

Sound Garden

Marie Davidson

Marie Davidson

With a gender twist on the Adam and Eve story, Montreal’s experimental techno musician Marie Davidson offers us the apple of temptation.  This time, the apple is minimalist electronic beats and soundscapes that evoke danger, sexuality and darkness. And, frequently, her sound has an undeniably killer groove — like on the track “Excès de Vitesse” from Davidson’s upcoming release Un Autre Voyage (out April 15 on Holodeck Records). Continue reading