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Here they come, hippity hoppity! May is proving to be a good month for hip hop in Eugene, beginning with Ty Dolla $ign May 5 at WOW Hall. If unfamiliar, listen to the uber-catchy “Paranoid” off his 2014 EP Beach House, produced by Wiz Khalifa’s Taylor Gang Records. Continue reading
I believe there is no bird call more joyous than a robin at sunrise. Chickadees are definitely cheery this season but robins deserve the main stage for pure joy. Enthusiastic males declare to any lady robin in hearing distance that he offers the best territory. Once eggs are laid, it is the crowing of fatherhood. Continue reading
Renowned for her sparkly, good-natured ad-lib ability, entertainer Carol Burnett graciously carved out a new role for women in film and television — one in which they could be funny and smart. Amy Poehler, Tina Fey, Kirsten Wiig and many others stand on Burnett’s shoulders. Now you can see this laugh-riot giant in real life, as the kids say these days, at the Hult May 7. Continue reading
Among the world’s wine-savvy folks, there’s no doubt that Oregon can produce some of the planet’s best wines, especially pinot noir, notoriously tricky to grow, ripen and vinify into the wine that ranks among the most desirable to wine-lovers. Our state’s pinot noirs have emerged as distinctive for their depth and complexity but particularly for a certain freshness of flavor that seems to derive from our peculiar land and climate (plus the talents of so many winemakers). As a result, the north end of the Willamette Valley gets a lot of well-earned attention. Continue reading
Is it just me, or is the Eugene theater scene undergoing something of an ascendance these days? Is there a minor renaissance of the dramatic arts going on in our midst? Could it be that, along with the hip, new vitality of our downtown, pushing out decades of apocalyptic slouch and economic zombification, this city is also experiencing a similar surge in creative endeavors and the venues that host them? Continue reading
Having just watched Jonathan Glazer’s latest movie, Under the Skin, I’m now thoroughly convinced that we have entered a post-human age — an era of catastrophic reckoning in which humanity, threatened with inevitable extinction, will figure less and less as the engineer of its own destiny. Continue reading
Oregon’s favorite folk sisters recently returned from “band camp.” Thankfully, stories that could veer into American Pie’s “This one time, when I was at band camp…” territory don’t end with sticky flutes but with the Shook Twins recording their fourth album What We Do with producer Ryan Hadlock. Hadlock is the same dude behind The Lumineer’s self-titled, Grammy-nominated record (remember the summer of 2012’s “Ho Hey” frenzy?). The Shook Twins host an album release party Friday, May 2, at McDonald Theatre. Continue reading
Human Ottoman is confident that their debut album Power Baby is going to melt your face off. This chutzpah stems from the fact that, to their knowledge, they’re the only band in the world that uses this particular instrumentation, with Matthew Cartmill on cello, Susan Lucia on drums and Grayson Fiske on vibraphone (like a xylophone with a sustain pedal). “It’s shocking when you think you have an idea in your head about what cello sounds like and what vibraphone sounds like, and then what we do happens,” Fiske says. Continue reading
Get ready for a whole lotta Seattle. On Friday, May 2, Sam Bond’s welcomes a showcase of three up-and-coming indie rock bands from that other Emerald City. Who’s on first? Friends and Family. Celebrating the release of their debut record Happy, Good-Looking, and in Love, Friends and Family blend the lush, idiosyncratic arrangements of Arcade Fire with Of Montreal’s glitter-pop; the sound is artful, intellectual and over the top in all the right ways. Continue reading
The human memory is a most wily creature, a Picasso-like construction of images and emotions. And if we manipulate our own memories, to what extent is anything we remember real? Part psychological study, part fast-paced thriller, The Other Place is a play that explores the fascinating study of memory. According to The New York Times, the play is “cunningly constructed entertainment that discloses its nifty twists at intervals that keep us intrigued.” Continue reading