The Agony and the Ecstasy
Ecstasy: A Water Fable is a beautiful production that teeters into overly deferential territory

Spiritual fracture and cultural alienation are at the heart of Ecstasy: A Water Fable, a play by Egyptian-American writer Denmo Ibrahim based on the Sufi tale “When the Waters Were Changed.” Directed by Michael Malek Najjar, UO’s University Theatre’s production of Ibrahim’s work — a triptych that flashes among three characters all seeking some form of reconnection with their origins — is technically adept and swift, clocking in at about 90 minutes. Continue reading