Photos & video: “Blind Boy” Paxton living room concert (Feb. 5, 2014 at 755 River Rd)

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This being the month when we celebrate the pursuit of Eros, Amor, love in all its forms — oddly appropriated to the name of a saint (Valentine/Valentinus martyred by beheading on Feb. 14, 273 CE) — we want to send some love to two figures whose passionate pursuits add pleasures to our lives. First, let’s welcome the opening of an elegant oasis on Eugene’s urban wine trail: Friday, Feb. 7, will mark the grand opening of Pyrenees Lounge at 946 S. Willamette in the former, now-refurbished Woolworth Building. Continue reading
The Great Beauty is a glorious jumble, which is fitting for a movie that’s about life, the universe and everything (to borrow a very useful phrase from Douglas Adams) — and a little bit about nothing at the same time. Plot-wise, there’s not much to it: After turning 65, novelist-turned-journalist Jep (Toni Servillo) has a bit of an existential crisis about his shiny, glamorous life. Sort of. Continue reading
Half of LA-based indie rock group Warpaint is Emily Kokal and Theresa Wayman — lifelong friends from Eugene. Warpaint has always surrounded itself with talent: John Frusciante (Red Hot Chili Peppers) produced Warpaint’s debut EP; Nigel Godrich (Radiohead, REM) and Flood (U2, Depeche Mode) worked on the group’s second, self-titled, full-length album released Jan. 17 on Rough Trade Records. Continue reading
You might expect a band named Desert Noises to give their music a stark, arid edge, something grim and dry. In reality, though, the only thing truly dry about this Utah-hailed indie rock outfit is their hometown. By all accounts, Desert Noises is wet. The group’s 2012 EP, I Won’t See You, babbles and laughs with a sleepy pop sheen not too far removed from Band of Horses. Each song moves in endless crescendo, and the result is a good, crisp wave of sound. And boy, do these cats know how to surf. Continue reading
Veteran singer-songwriter Boz Scaggs recorded 2013’s Memphis at the late Willie Mitchell’s Memphis studio — a place where Mitchell once put to tape heavyweights like Al Green, among others. Memphis is almost entirely covers showing Scaggs’ deep and enduring appreciation for the broad spectrum of American music, whether it’s blues, gospel, soul or rock ’n’ roll. Continue reading
Amy Helm is still quite taken with one of the views her late father — famed drummer and singer Levon Helm — had about the deeply profound effect that music can have on people’s lives. “My father used to call it the language of heaven, and I very much agree with that,” Helm says. “Music has saved my life many times and continues to, in small ways and in big ways.” Continue reading
This Sunday, Feb. 9, would have been the 26th annual Eugene Record Convention. With the passing of the convention’s beloved founder Bill Finneran in October, the reins have passed to Thomas Jones of Portland. Jones, owner of Crossroads Music (a Portland record shop), has been frequenting the event since 1997 and this year, he hosts a continuation of the convention, the Eugene Record Show, 10 am to 5 pm Feb. 9, at the Eugene Hilton; $3 (or $15 for early entry 7 to 10 am). Continue reading
John Cariani’s 2004 romantic comedy, Almost, Maine, flopped when it opened in New York but is now the most produced play in our high schools, which might just tell you everything you need to know about this play that is beseechingly quaint and cosmically cute but not altogether lacking in bite. Continue reading