Bourne to Be Bad

Tony Gilroy directed Michael Clayton. Think about that, while you watch The Bourne Legacy, and ponder how it is that the writer-director of such a taut, effective film created something as skittish and incomplete as Bourne, which is about 45 percent prologue, and almost entirely unsatisfying.  Continue reading 

Not Just a Pretty Face

Modeling for fun and business

“I definitely eat,” aspiring model and Eugenean Ayuni Kelton says with a smirk. “I do try to eat clean but I’m not going to deny myself a cheeseburger.”  With one look at Kelton you know she is unusually beautiful. But there’s more to her than long legs, a thin shape, gorgeous hair and stunning complexion. She may be beautiful but she’s got substance, she’s got spunk and she’s ready to kick ass. She effortlessly proves all of the typical assumptions about fashion models false. Continue reading 

Memory Loss

Memory is a precious thing, and film allows us to capture moments that would otherwise be transitory. We take solace in those captured moments because sometimes memories can leave us — sometimes they can fade away and never return. That last part is exactly what installation artist Michelle Given wants her viewers to explore.  Continue reading 

One  Woman’s Trash…

Fashionista shares her free-box finds

The streets of Eugene are filled with treasures: free boxes overflowing, Dumpsters unlocked and waiting to be searched, all of it yours for the taking. All you need is a good eye, a little bit of imagination and maybe some rubber gloves. All of these clothes were found in free boxes around Eugene and have been dressed up with shoes and accessories from my collection. Blue and white polka dot dress Continue reading 

Is This Real Life?

The easy joke about Len Wiseman’s Total Recall is that it gives you so little to remember. You might recall the Blade Runner-esque neon-and-concrete vision of its future, or the look on Kate Beckinsale’s face as she tries to squeeze the life out of Colin Farrell’s Douglas Quaid. But Wiseman, who cut his teeth as a director on two Underworld flicks, has plenty of experience directing Beckinsale at ass-kicking. Two hours of her and Jessica Biel fighting in an inexplicably complex bank of elevators would be considerably more memorable. Continue reading