Eugene Weekly

The endless parade of the Oregon Country Fair An ambient performer To start a fire Continue reading →

Like sunburns and fannypacks, vaudeville-style comedy and variety shows are a part of the Oregon Country Fair experience. In fact, OCF devotes entire stages to all sorts of popular entertainment from the age of daguerreotypes like tap dancing, puppetry and poetry readings. Fair favorite Artis the Spoonman performs four times this year, kicking off 1:30 pm Friday, July 8, at the Daredevil Vaudeville Palace. Artis heads over to the Kesey Stage at 3:15 pm Sunday, July 10. See oregoncountryfair.org for a full list of Artis’ performances.  Continue reading →

As you’re cruising around the loops at the Oregon Country Fair, be sure to stop by the new Dance Pavilion, featuring movement performances and workshops for all.   “The dance space is for the exploration of dance and the movement arts,” says volunteer site coordinator Shawn Kahl.  The Dance Pavilion stage and an adjacent outdoor studio, the “WorkIt Shop,” have concurrent but separate programming throughout the weekend. Both areas welcome and encourage participation.   Continue reading →

Looking back over his first year as general manager (GM) for the Oregon Country Fair, Tom Gannon says the thing that’s surprised him the most is “how incredibly important ice is.”  It might sound strange, but realize that the frosty lemonade you’re enjoying, or that tasty burrito with extra sour cream, or your gluten-free hemp seed salad with extra hemp seeds, were all made off the grid. No one operating a food booth has a fridge to plug in — there are no plugs. Continue reading →

The forecast for Oregon Country Fair includes a definite chance of breasts — different shapes, sizes and protruding from bodies of all kinds. This year, however, we’re getting down to business about boobs. Katelyn Carey, author of the recently published Beauty After Breast Cancer, is giving a talk about this increasingly common milestone for women. Continue reading →

I really do not understand Oregon Country Fair. I’ve read the FAQ page, spoken with a handful of Fair-goers and have gotten the scoop on staying overnight. It’s been several years since I’ve moved to Eugene and yet the mystery of Fair remains: What’s the big deal? Continue reading →

Just a few weeks back on a hot Friday morning, I stood in a field with outgoing Oregon Country Fair general manager Charlie Ruff and his replacement, Tom Gannon, the three of us surveying the “New Area,” a 6-acre expanse that opens this year as a brand new part of the Fair’s general stomping grounds. Continue reading →

“The thing I love most about the Fair,” says Charlie Ruff, Oregon Country Fair’s outgoing general manager “is that, at its best, as a community, people can come and be themselves — they can express themselves in an environment as free from judgment as you’ll find.”  Ruff steps down later this summer after 12 years on staff, the last seven of which he served as GM. He will remain, for the time being, a Fair volunteer. Ruff's replacement is Tom Gannon, a longtime Seattle resident who recently relocated to the area. Continue reading →

Shirley Musgrove is a costume designer and puppeteer, most known for her elaborate Oregon Country Fair costumes, which include a unicorn and fiery phoenix. One year, she dressed as a wolf and made people howl if they wanted a photo with her.  Musgrove first attended Fair in 1978 as a merchant with The Great Hooey Man, a puppeteer she met in her hometown of Spokane. She sold puppets and performed puppet shows for her first four years at the Fair, before spending time in New York to work with Muppeteer Jim Henson. Continue reading →