EW’S GUIDE TO THE OREGON BACH FESTIVAL 2008
Shanghai to Vienna World chamber music anchors mid-Fest days and nights
Traditionally Elegant Sarah Chang mixes it up with Vivaldi
Breathing Under Music New OBF exec John Evans speaks
OBF’08 Oregon Bach Festival sked & highlights!
Soloist Bios
By Megan Udow
|
A long-time favorite of OBF’s conductor Helmuth Rilling and an in-demand summer festival performer, soprano Sybilla Rubens finally comes to Eugene. Rubens began her career by studying concert and opera in Germany and debuted at the Deutsche Symphonieorchester Berlin performing Mendelssohn’s “Lobgesang.” Rubens has spent a great deal of time working with Rilling. Recently, she performed under his baton at Carnegie Hall in 2007 in Bach’s St. Matthew Passion and toured with him in Italy during the 2007-2008 season. |
|
While artists at this year’s OBF hail from all over the globe and many come from as far as Eastern Europe, it’s also nice to see someone from north of the border. Baritone Nathan Berg, born in Saskatchewan, began his studies in Canada but soon learned from the best of the U.S., France and London, where he won the Gold Medal for Singers. His repertoire varies greatly from Bach to Verdi. He played the title role in the Marriage of Figaro for the New York City Opera and performed in La Boheme in Paris, Tokyo, Toronto and Vancouver, B.C. |
|
Popular OBF performer Lothar Odinius, a tenor from Germany whom music critic Göran Forsling describes as having “a fine lyrical tenor with brilliance at the upper end and a surprisingly powerful lower register,” began his musical career studying at the Berlin Academy of Arts. Later he joined the ensemble of the Staatstheater Braunschweig as a lyric tenor. While his repertoire consists mainly of Baroque and classical pieces, especially Mozart, he regularly performs Schubert’s Magic Harp and Bach’s St. John Passion. Odinius toured Europe in December ’07 and has performed in recitals around the globe. |
|
Known as one of the finest Bach performers of her generation, Germany’s Ingeborg Danz returns to the OBF stage after an absence of several years. As a mezzo-soprano and contralto, she has toured throughout the world including the U.S., Japan, South America, Russia and Europe. Like Rubens, she has a close professional relationship with Rilling and collaborates with him at the International Bach Academy in Stuttgart. Her main fields are oratorio, concert performance and Lieder (songs typically arranged for a single singer and piano). She’s known for her performances of Bach, but of course her repertoire is varied, and you’ll be lucky to catch her warm voice at the festival. |
|
Although one of the younger festival artists, he is undoubtedly among the most talented. Michael Nagy began his training in Stuttgart studying song creation and Lieder. Nagy had not been training for long when he won the Schubert Prize at the International Schubert Competition. Starting in 2004, he spent two years as a member of the Berlin Komische Oper, where he performed as Papageno in The Magic Flute, Sid in Albert Herring and The Count in The Marriage of Figaro. He has performed in Lieder recitals in Austria, Germany and Italy and debuted at Carnegie Hall in 2007. One OBF staff member referred to Nagy as a “bari hunk,” so we’re pretty sure you won’t want to miss his performances. |
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
Sibylla Rubens
Nathan Berg
Lothar Odinius
Ingeborg Danz
Michael Nagy