
Tossing aside its usual family fare, the Cottage Theatre reaches for something darker in its current production of Stephen Sondheim’s Assassins.
“Angry men don’t write the rules,” sings the infamous John Wilkes Booth, ably played by Kory Weimer, “and guns don’t right the wrongs.”
Booth is just one of nine assassins who have their day in this 1990 musical, with music and lyrics by Stephen Sondheim and songbook by John Weidman.
Tracing America’s violent past, Assassins trains its crosshairs on nine people throughout U.S. history who all share one thing in common: Each of them has attempted to assassinate a president of the United States. Under direction by Tony Rust, Assassins explores the depths of shared psychosis, searching for motivation within the inexplicable actions of this imagined criminal brotherhood.
“What a wonder is a gun! What a versatile invention!” sings Leon Czolgosz, an immigrant steel mill worker responsible for the assassination of William McKinley, played with quiet restraint by Ward Fairbairn. The most successful performances, like Fairbairn’s, are temperate enough to draw us in, allowing us to reluctantly empathize with these raw, broken people.
We’re introduced to John Hinkley Jr., Ronald Reagan’s would-be killer, depicted with eerie awkwardness by Austin VanderPlaat, and to Charles J. Guiteau, an American preacher, writer and lawyer convicted of assassinating President James Garfield, who pulses with revivalist fervor from actor George Comstock. Tracy Nygard delivers a hauntingly believable Sara Jane Moore, one of Charles Manson’s cult followers, who attempts to take the life of Gerald Ford.
Dale Flynn exudes pathos as Samuel Byck, an unemployed salesman who wants to kill Richard Nixon. Dressed in a tattered Santa suit, Byck opines into a tape recorder, leaving a message for Leonard Bernstein about how he misses the innocence of early musicals, songs like “Tonight” from West Side Story.
Written in 1955, West Side Story partnered Bernstein and Sondheim in an unparalleled artistic fusion. But there’s something more to the reference here, a longing for a simpler time. Sondheim was 33 when John F. Kennedy was shot, and as Assassins churns forward and the rogue’s gallery of assassins accumulates, there’s a sinking feeling in the audience that someone is missing. No spoilers, but things heat up, perhaps uncomfortably so.
Live music under the direction of Jim Greenwood is consistently first rate. And throughout, Lanny Mitchell as the Balladeer offers a soothing counterpoint to all the vitriol. With voice and mannerisms both natural and compelling, Mitchell gently guides the viewer through uncharted waters.
Assassins runs through Oct. 19 at the Cottage Theatre, 700 Village Dr., Cottage Grove; $19-$23.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
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Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
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None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
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