Colorado musician Gregory Alan Isakov is used to fronting rock bands — or singing alone with just his guitar. So he has to reach to describe the experience of performing his music backed by an entire symphony orchestra.
“It was fucking amazing,” he recalls, slowly and pointedly highlighting each word for extra emphasis. “I don’t even have words for it. It became this really big ocean of sound.”
Last year, Isakov released Gregory Alan Isakov with the Colorado Symphony Orchestra, the string arrangements adding extra depth and grandeur to Isakov’s drowsy voice and contemporary acoustic-folk songwriting — a lush backdrop for his romantic and melancholy tableaus.
“I never thought that would happen,” he recalls. “I’ve always dreamed of that — one day playing with a symphony orchestra — but I never thought I’d ever get the chance to do it.”
Isakov, of course, can’t take an entire orchestra on tour, but he says some stringed instruments — a cello, violin and upright bass — will back him up when he comes through Eugene.
“We’ve simplified some of the symphony parts,” he says. And Isakov has already started working on a new record. “So we’ll be trying out some new songs.”
Gregory Alan Isakov plays with Seattle lo-fi singer/songwriter Sera Cahoone, known for her work with Band of Horses, and Carissa’s Wierd 8 pm Monday, May 1, at Hi-Fi Music Hall; $25 advance, $30 door, all-ages.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
