
The first time I heard Animalingo was in a backyard overlooking the McKenzie River at a local DIY festival called Jamfest. It was a hot mid-summer day, and the property was filled with dozens of local music lovers. The band’s psych rock, funk and alternative fusion blended into one unique sound that permeated the July air.
Now, Animalingo is gearing up for the May 15 release of their first album, Babble On.
Jamfest is put on by Nathan Chesnut, Animalingo’s drummer. “The first show we ever played was the first official Jamfest, three years ago,” he says. “Animalingo has played every year. It’s kind of like our home turf.”
But like most events this year, it’s looking like there likely won’t be a Jamfest this summer due to social distancing orders. This isn’t the only thing that’s gone awry recently for Animalingo — in fact, they had an entire schedule of shows mapped out in support of their upcoming album release that are now canceled.
Animalingo, like many artists, has been negatively affected by COVID-19 by not being able to play live. However, the band sees some silver linings through it all. “Although we’ve had some losses, it’s cool to see friends can still work together to make stuff happen,” says guitarist and vocalist Zev Kamrat. “It’s pretty inspiring.”
The band has seen a lot of support from their network in the last few months. Garrett Davis of Gart Studios recorded and mixed the album, even letting them record two tracks for free. Their friend Joe Hughes contributed to making a visual accompaniment of the album with Chesnut, which the band says is an accurate visual representation of their sound.
They’ve been playing most of the songs you’ll hear on Babble On since their inception in 2017. Kamrat and Alex Weston, the band’s other guitarist and vocalist, lived together for a year, writing songs for fun but not doing much with them.
Eventually, they started to collaborate, and their music became more serious. They moved in with Chesnut and started jamming together in the garage.
“The first time we got together it felt great, everything fell right into place,” Weston says. “Our other roommate [Sean Bethem] was a fantastic bassist and heard us jamming. He asked, ‘What’s this?’ So we asked him if he wanted to join in.”
The first time the band all played together they worked on the song “Bones,” a seven-minute track which ended up being a single on the album. Bethem describes the album as transcending different styles throughout its length.
“We started out with bluesy songs the first few, and then it maneuvers into other genres and fusions,” he says. “It’s really upbeat, fun music to play. People really enjoy it.”
Keeping that live, raw energy was something Animalingo says they prioritized when going in to record Babble On. They practice in a garage, and that’s exactly the atmosphere their sound gives off.
The album goes in a lot of different directions, but gradually gets more abstract with each song. After the intro, it jumps into “Apple, Apple,” taking inspiration from ’90s grunge aesthetics.
As with Jamfest, Animalingo stays true to their jamming roots. Improvisation and experimentation is something they value when playing live, and they intentionally kept that energy on the album.
“We all have a lot of fun engaging with the audience,” Kamrat says. “Fostering that sense of community and being a part of creating a moment.”
While it may be awhile until fans and friends can catch an Animalingo show, Babble On should provide some sense of that raw, live energy you may be seeking during this time. ν
Babble On is available on streaming services May 15. For more information on Animalingo, you can visit Animalingo.Bandcamp.com.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519