Garrick Bushek, aka Marv Ellis, is perhaps Eugene’s most famous emcee. And despite a move to Portland, Ellis is once again living in Eugene and remains a popular attraction on local stages, with locals remembering his days with hometown hip-hop group Genus Pro. Eugene has stayed loyal to Ellis as he’s grown and expanded his definition of hip hop, integrating a broad range of styles into his sound, and Ellis returns the loyalty to Eugene, continuing to bring a little something special to shows in his hometown.
Another favorite on Eugene stages is Portland’s twin-sister folk duo Shook Twins. Shook Twins play a quirky update on traditional roots music: sibling harmony, banjo, mandolin and guitar mixing to create something fun and modern — they sing songs about microchips, imaginary windows and the ’60s. So I let out a big “What the whaaa?!?” when I saw the Twins are joining Marv Ellis at the McDonald Theatre, the only apparent common denominator being a loyal local crowd in Eugene.
Turns out the Shook Twins appear on Marv Ellis’ latest release Shadow Means Light, their angelic harmonies backing up Ellis’ rhymes and supplying the chorus hook on the album’s title track. Really this pairing shouldn’t surprise anyone familiar with Ellis’ broad appetite for music. Lyrically, Ellis is still searching: for his masterpiece, for hip hop as a true art form, interested in integrity and moody imagery. Occasionally his rhymes are a bit clumsy: “’Cause I transform like dust in the middle of a sandstorm; stand strong and be myself so I don’t get shelved like canned corn.”
But in the end this unlikely pairing works, the Shook Twins’ trance-like and repetitive take on folk blending well with hip hop’s repetition and Ellis’ samples of Spanish-flavored spaghetti western acoustic guitars, like on album opener “North Wild West.”
Marv Ellis and the Shook Twins play 7 pm Friday, Dec. 7, at McDonald Theatre; $10 adv., $15 door.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519