When watching competitive music shows like X-Factor or American Idol, you expect the contestants are upstart performers. Often this is the case. However, when Seattle-based pop soul-singer Leroy Bell participated in the X-Factor in 2011, the other hopefuls likely didn’t realize what they were up against. The 61-year-old Bell (you read that right — 61, and he could take Lenny Kravitz in a hottie competition any day) has been in the music business since the ’70s.
Bell started his prolific music career by performing in a variety of acts like the Philadelphia band Special Blend and the soul group Bell and James. However, you may know Bell more from what he’s written than what he’s performed; Bell wrote “Mama Can’t Buy You Love” and “Are You Ready for My Love” for Elton John, as well as tunes for the The Temptations, Gladys Knight & The Pips and Rita Marley. In 2003 the Fat Boy Slim remix of “Are You Ready for My Love” went number one in England, and Leroy’s career as a solo act was reignited. Bell’s youthful appearance caused such controversy on X-Factor he offered to release his birth certificate if he reached 100,000 followers on Twitter.
Bell’s discography, like Two Sides to Every Story (2006) and his 2012 release Rock ‘N Soul, blends classic folk and soul influences like Otis Redding and Richie Havens with pure 12-string-guitar-drenched romantic pop and R&B songwriting recalling Babyface, Ben Harper, John Legend and even Dave Matthews. Leroy didn’t win X-Factor — he was voted eighth in his age group. For a musician with a resume and career like Bell, to place so low on a reality show certainly says more about today’s process of picking than it does the merits of the performer. His band, His Only Friends, backs Bell with Terry Morgan on bass, Davis Martin on drums and Daniel Walker on keyboard.
Leroy Bell and His Only Friends play with Tyler Fortier 8 pm Saturday, Feb. 2, at WOW Hall; $15 adv., $18 door.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519