For many, Sara Watkins will forever be associated with the bluegrass group Nickel Creek. This is understandable considering how popular the band was, and that Watkins spent almost 20 years playing fiddle with the trio she helped found when she was only 8 years old, but Watkins has been blazing a solo trail for the last six years straight into the midnight sun.
Her most recent album, 2012’s Sun Midnight Sun, is chock-full of memorable bluegrass, folk and pop numbers, and more than a few surprises. Watkins showcases her everlasting fiddling prowess on the instrumental opener “The Foothills,” and the power of the nostalgic handclap-happy “You and Me” is augmented by a chorus of voices and Watkins’ own sweet vocals. But her rendition of the Everly Brothers’ classic “You’re the One I Love” is given one hell of a treatment: A duet with Fiona Apple turns the original into a darker, rip-roaring fiddle fest. Apple is a recurring guest on Watkins’ California-based and broadcast music residency, the Watkins Family Hour.
“I was going through an Everly-Buddy-Holly phase — a bender really … I thought I should sing with a girl and the follow-up thought was I should work on it with Fiona,” Watkins tells EW. “She came down and she and I sang it face to face.”
Watkins is not abandoning her bluegrass roots so much as she is broadening her horizons, collaborating with the likes of Jackson Browne and Taylor Goldsmith. She’ll also be going on tour with Garrison Keillor for A Prairie Home Companion later this summer.
Sara Watkins plays with Tatiana Hargreave 7:30 pm Wednesday, May 15, at The Majestic Theatre in Corvallis; $18-$25.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519