
There are not many muses as evocative as the salty, salty sea. With that Pacific mistress nearby, The Crescendo Show knows this well. “The ocean is always tied into a lot of our music,” says Ricky Carlson, banjo, guitar, drum and back-up vocal Renaissance man for the Corvallis-based indie folk band. “It’s a pretty vast subject to write about it.”
Four months have passed since the band came in a close second behind Sol Seed for EW’s Next Big Thing, and Crescendo has been studiously preparing for the studio ever since. After pooling gig money for the past year, the quartet is ready to record its first professional album. “In the past we’ve done all our recordings in my apartment,” Carlson says. “It’s a band-funded album. That is what has kept us out of a professional studio in the past; we didn’t have the money to do it.”
The band — also featuring Kailyn Kubiak (lead vocals, guitar), Nathan Porter (lead vocals, guitar, piano, accordion) and Matt Kellam (bass, back-up vocals) — will be hitting Jackpot! Recording Studio in Portland Jan. 2 with originals like “Mermaids.” As Carlson describes it, the song is about “turning into a mermaid — trying to figure out if you feel more at home in the ocean, or if you’re supposed to be a land creature and you’re not really sure.”
But perhaps Carlson’s favorite song on the upcoming album is “The Green,” which sounds like the perfect ditty for the season of overindulgence. “It’s got a character who just kind of stays up all night and does questionable things and gambles and drinks too much and goes out dancing all the time,” he says. But in days that follow, “He’s always in pain because of it.”
The album, which is due out in the spring, will feature Kubiak more heavily as a lead vocalist and carve out space for some piano and a drum kit. “It’s going to be a little more darker too,” Carlson says. “A lot more minor songs are on this album. We’re excited — these songs feel the most natural for us.”
Carlson points out that they chose to record their first pro record at Jackpot! not only because the price was right, but because they would also be working with sound engineer Kendra Lynn. “We have three males and then Kailyn,” he says. “We thought it was important for her and for us to get another female on the project.”
The Crescendo Show will be previewing some of its new material at the Sam Bond’s show where the band will be joined by local singer-songwriter Caroline Bauer, whom it met during the Next Big Thing process. “We listened to her and related to her music quite a bit,” he says.
The Crescendo Show plays with Caroline Bauer 9 pm Thursday, Dec. 19, at Sam Bond’s; $3-$5.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519