
When people talk about the glory years of alternative music, most of the bands that get mentioned are from the alternative rock, Brit-rock or grunge strain — Pearl Jam, Oasis, Soundgarden, Nirvana. But the alternative pop bands who came in a shade before these guys made quite the impact on the Generation X music scene too; Toad the Wet Sprocket was among the most notable.
Their first hit single, 1992’s “All I Want,” is one of those classic alt-pop songs that featured heavy doses of acoustic guitars (a tactic that bands like Goo Goo Dolls would use to great effect in the years that followed), and “Walk on the Ocean” was somewhere between a power ballad — with singer-guitarist Glen Phillips’ thin vocals occasionally heading for the upper register — and a precursor to Hootie & the Blowfish’s “Hold My Hand.” But the band broke out with 1994’s “Fall Down,” which topped Billboard’s Modern Rock chart for six weeks and became their signature song.
After a 1998 hiatus, they started playing sporadically again in 2006 and fully reunited in 2010. The band released a greatest hits record in 2011, called All You Want, but they didn’t stop there. In October, they released their first new studio album since 1997’s Coil, called New Constellation. The title track and first single is an ebullient piece of piano power pop that encapsulates the album’s sunny, upbeat feel. Despite the band naming themselves after an obscure Monty Python skit as a joke over 25 years ago, they clearly are nowhere near obscurity.
Toad the Wet Sprocket plays with Jonathan Kingham 8 pm Monday, Feb. 3, at WOW Hall; $25 adv., $30 door.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519