Year: 2016

Stop Motion

A look at the state of dance in Eugene

ArtsDance

Choreographer David Parsons’ signature piece, Caught (1982), features more than 100 leaps in six minutes by a solo dancer who is repeatedly trapped in mid-motion by the strobe lights he controls, creating an illusion of flight. Seen live, the work is unforgettable; I saw it once here, in Eugene, at the Hult Center, danced by Parsons himself. Caught seems an apt metaphor for dance: vital, powerful yet ephemeral, almost fragile. Dance requires a nutritive base to thrive, constant support and a collaborative spirit. Any dance venture is a leap of faith. Continue reading →

From Guinea with Love

The Yansanes put African dance in its cultural context through the West African Cultural Arts Institute

Arts
The Yansanes

Before moving to Eugene, Alseny Yansane danced for Ballets Africains, the most prestigious dance troupe in the West African nation of Guinea.  But there’d be no mistaking his moves for anything from Swan Lake.  Low squats, flips, rapid sideways motions, windmill arm movements — these are some of the most common hallmarks of the dozens of dances that can be found across Guinea and which Yansane and his wife Andrea Yansane teach at the West African Cultural Arts Institute (WACAI) here in Eugene.  Continue reading →

Local Dance Studios

Listing of local dance studios

Dance

All that! Dance Company Ballet, contemporary jazz, tap, hip hop, ballroom allthatdancecompany.com 541-688-1523   Ballet Fantastique Ballet balletfantastique.org 541-342-4611   Ballet North West Academy Ballet, tap, modern, jazz and Broadway dance bnwa.net 541-343-3914   Celebration Belly Dance and Yoga Bollywood, zumba, samba, capoeira, African, 40-plus Continue reading →

Can’t Touch This

Magic Men Live in Eugene

Culture

I spent a half hour of my life watching YouTube videos of nearly naked men wiggling and worming around on stages illuminated by flashy lights — for research purposes, of course. Magic Men Live is coming to town and there’s something hypnotic about the performers’ abdominal capabilities.   Magic Men Live is a simulation of the 2012 Steven Soderbergh film Magic Mike but omits plot development and Channing Tatum. Each set of dancers in the performance is dressed according to a theme, so you can expect impractical firefighter uniforms and cowboy hats galore.    Continue reading →

Summer’s End

And the virtues of escarole

Gardening

August went by in flash, as usual. Daily watering chores. Jam making. An ocean of applesauce. After a week’s vacation in a cabin by the Metolius, I somehow carved out time to think about the fall and winter vegetable garden. Space must be carved out, too, and I’m grateful for any crops that can go in after the pole beans and tomatoes are torn out in October. But starts of red Russian kale, my favorite for winter eating, need to go in as soon as possible. By October what you see is more or less what you get until growth starts up again in March.   Continue reading →

Life on Mars

Jerry Joseph has been called the Anthony Bourdain of music

ArtsMusic

Jerry Joseph has been called the Anthony Bourdain of music. “I finally realized I was never going to be a big fucking rock star,” Joseph says. “Nobody’s ever going to invite me to Saigon to come play a concert.”  So the veteran Portland songwriter and longtime fixture on Eugene stages decided to take matters into his own hands and travel the world with his music.  “I called people I knew, people that lived in Cambodia and Thailand," Joseph explains. "And I brought a camera guy with me.”  Continue reading →

PLEASE IGNORE MY PRIVATE $2 BILLION FOUNDATION

Letters

PLEASE IGNORE MY PRIVATE $2 BILLION FOUNDATION On Aug. 21 The New York Times reported the Clinton Foundation has raised about $2 billion since 1997.  Apparently “truth” bends in the direction of money, a shiny pot of gold that just happens to have the Clinton Foundation address at rainbow’s end. Most Americans are not convinced this “amazing coincidence” isn’t a conflict of interest. Continue reading →

Down and Out in West Texas

Two brothers start robbing banks to buy back the family ranch in gritty crime drama Hell or High Water

ArtsFilm

As the riotous ’60s bled into the scabby ’70s, a lot of people in this country found themselves asking what happened to the American Dream, and movies from that era reflected this swooning miasma. In film after great film, directors like Martin Scorsese, Sam Peckinpah and Robert Altman, to name just a few, tapped into our growing sense that something had gone seriously, desperately wrong — that the great social experiment of democracy and prosperity had finally begun rotting from the inside out. Continue reading →

Do the Twist

The Shedd’s production of Broadway musical Oliver! has us asking for more

Music
Dina Gilbert

Before Elton John, Duncan Sheik and Green Day created original stage scores, before all those jukebox musicals featuring songs by Abba, Four Seasons, Carole King and more, even before Rent, Grease, Hair and Jesus Christ Superstar, there was Lionel Bart — a pop songwriter who never learned to read or write music and yet composed some of Britain’s biggest pop hits of the 1950s for Cliff Richard and other stars. Continue reading →