Powerful in Pink

On yet another gray and wet Oregon night, the last thing my depression wanted was to be confronted by bubbly optimism.

But somehow I managed to break away from my preferred isolation, slipped on my tired rain boots and rowed on down to Cottage Theatre for opening night of Legally Blonde.

As a resident of Cottage Grove, I’ve only seen a couple of performances in the cozy building tucked behind the bowling alley, but both shows left me feeling grateful to live right around the corner from such a creative space. Legally Blonde left me feeling no different.

In her directorial debut, Madison Baker takes on the ambitious task of putting up a big production on a relatively small stage. Packed with personality and enthusiasm, Legally Blonde is crazy fun for any audience. Baker utilizes the entire stage (and then some) to follow the incorrigibly blonde Elle Woods (Autumn Carter) from Malibu all the way to Harvard Law School in her attempt to prove to her ex that she is more than just a Marilyn.

Scene after scene provides a visual and musical high, determined to immerse you into Elle’s cotton-candy journey and the power of sisterhood. Having a working knowledge of the original book, and having seen the Reese Witherspoon movie many gray and wet nights ago, it’s now clear that Legally Blonde is organically meant for the stage.

Though the levels of the first two songs were a little off — let’s be fair and chalk that up to opening night kinks — the stage was otherwise exploding with talent and energy. Carter, who is infuriatingly lovable as the gritty heroine in pink, is exhausting to watch in her refusal to take “no” for an answer.

While Elle is repeatedly told she isn’t serious enough, it is her resilience and determination — along with the help of her equally bouncy Greek chorus of sorority sisters (Stefhani Anderson, Jessika Skalin and Cassie Unger) — that reminds us all to believe in ourselves and, perhaps more important, to not take ourselves too seriously.

No one is safe from ridicule in this play. From valley girls and the Harvard elite to the drunken Irish, no stereotype is left unturned by a hilarious succession of musical numbers.

Other than the two adorable (albeit terrified) dogs on stage (Sasha Fierce and Jasper), it is Elle’s trusted friend and hair stylist Paulette (Tracy Nygard) who steals the show. Nygard is a comedy powerhouse as Elle’s “what if” future self. I have not heard an audience laugh like that, nor have I laughed so hard, since the last time the sun was out six months ago.

Granted, Legally Blonde is perhaps not all that weighty in philosophical or political rhetoric, but it is a refreshing break from the recent divisiveness, day in and day out. And that’s not to say there isn’t any meaning behind all that pink fluff.

Sexual harassment and the repeated undermining of Elle’s character are the essential driving forces that bring Elle’s unrelatable valley girl to human understanding. In fact, it is the unification of the passionate women of this show that brings harmony and color to an otherwise gray existence these days.

Legally Blonde continues at Cottage Theatre through April 29. Tickets are $25, $15 youth 18 and under, at cottagetheatre.org.

A Note From the Publisher

Dear Readers,

The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.

That’s because of you!

Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.

Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.

We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.

And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.

None of this happens by accident. It happens because readers step up and say: this matters.

As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.

Thank you for standing with us!