Nashville songwriter Rayland Baxter has been feeling unwell, so I ask him if he has any go-to remedies.
“Eat lots of greens,” he tells me over the phone, and drink lots of juice. “Stay hydrated,” he adds. “Get lots of rest.”
This is all sensible advice from a guy who’s lived a pretty extraordinary life — a life that’s led him from Nashville to Israel, and now to Eugene supporting his third album Wide Awake.
Awake’s guitar- and keyboard-oriented pop songwriting feels a little timeless, the way good melody and harmony will always be. There’s some ’70s AM gold mixed with the darkness of Townes Van Zandt. Like on album-track “79 Shiny Revolvers,” which touches on gun violence in America.
Baxter sees the challenges of our time, but he remains hopeful.
“Being a human is an amazing gift,” he explains. “Not a dog in a cage, or a talking bird, or a swarm of bees or a blade of grass. We can talk. We can think freely. We can express ourselves.”
Baxter didn’t start playing music until he was 21. “Sophomore year in college,” he says. He went down to Nashville to visit his dad, country musician Bucky Baxter, known for working with Dylan and Steve Earle.
“He gave me an acoustic guitar for Christmas,” Baxter says, and it wasn’t until after college, while living in Colorado, that Baxter started writing his own songs.
“I started doing open mics,” he recalls — playing covers. Strangers gave Baxter unsolicited accolades, so he thought, “Maybe I’ll start writing my own songs.”
Soon, Baxter traveled to live with his father in Israel. That’s when the calling to write music really spoke to him, a vocation Baxter describes as a “beautiful opportunity.”
“I started paying attention to the lyrics of Dylan, Leonard Cohen and Townes Van Zandt,” he says. “I started eating it up.”
“It’s quite the responsibility. When you start expressing your voice, you better make sure you’ve got something to say that’s unlike it’s ever been said before,” Baxter says of life as a songwriter.
“I’m more awake than I have been,” he continues. “I think the world is more awake than we have been. We stand on top of a mountain of made decisions and we have to live with it.”
Rayland Baxter plays with Skyway Man 8 pm Saturday, Sept. 8, at Hi-Fi Music Hall; $13 advance, $15 door.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
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Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
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None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
