Portland songwriter Jeffrey Martin likes to be alone, whether he’s working construction, tinkering with the home he shares with his girlfriend, singer-songwriter Anna Tivel, or writing music.
“Something I liked about construction stuff when I was doing it,” he tells me over the phone from Portland. “I was mostly on my own. That’s the same way I write. I need a lot of time to sit in my head.”
In the past few years, Martin’s been touring his last release, 2017’s One Go Around. He also tours alone, an arrangement he prefers. He returns to play in Eugene April 18 at Sam Bond’s.
“It gets exhausting managing people’s emotions besides my own,” he says.
Tivel is also a musician with her own busy touring schedule. “She’s touring all the time,” he says. “That gets old.”
Missing her is when Martin hits his breaking point.
Opening for Martin this time is Eugene songwriter Tyler Fortier. Fortier produced One Go Around at his home music studio, which Fortier prefers to call an office.
In recent years, Fortier has largely stepped away from his work as a performing singer-songwriter in favor of producing other people’s music.
Fortier’s also found success writing instrumental material for film and TV licensing, a niche that’s allowed him to pursue music full time.
A while back Fortier realized performing wasn’t his passion. If it had been anyone else besides Martin who asked him to play a show, he probably would have said no, Fortier tells me over coffee.
“I’m his No. 1 fan,” Fortier says, smiling broadly.
One Go Around works in one of three different moods: lonely, tired, and tired of being lonely. It’s well-constructed music, four walls and a ceiling built over a solid foundation.
Martin plays the part of the hardworking acoustic songwriter, driven to do something with his simmering sadness, but ultimately a little ambivalent about human connection: The sweaty brow of Nebraska-era Springsteen meeting the aching back of John Prine.
From “Coal Fire,” off Martin’s 2016 release Dogs in the Daylight, he sings: “Everyone I love is trying to figure me out / Everything I knew, I buried underground.”
“I like the distance between what people know about me and what’s my real life,” Martin says.
A former high school English teacher, Martin draws as much inspiration from literature as he does from music, particularly the short stories of Flannery O’Connor and Raymond Carver. He’s rereading Steinbeck’s Cannery Row, he says.
He grew up on his parents’ music, Jackson Browne and Bob Dylan. But lately he can’t get enough of Seattle songwriter Damien Jurado.
“I’m kind of hesitant to get steeped in other people’s music,” he says.
He likes short stories because they say a lot with very little. “Sometimes I’m envious of the pace that a story can unfold versus what has to happen in a 4-minute song,” he says. “That tension is good.”
Even when Martin writes a song about some made-up character, “those stories are closer to me than I would like to admit,” he says.
Jeffrey Martin with Tyler Fortier
Thursday, April 18 • 9 pm
Sam Bond’s Garage
$7 • 21-plus
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
