In an essay for the Los Angeles Times in September, Silvia Moreno-Garcia cheerfully explored the perils of her work as a novelist, starting with her name. “Once someone told me if I wanted to make it as a writer I needed a shorter name,” she wrote. Then there is the body of her work, which includes sword-and-sorcery novellas, a coming-of-age noir set in northern Mexico and a horror novel. Is Moreno-Garcia a fantasy, historical or crime author? “As you can see, I give people headaches.” The award-winning Moreno-Garcia — born and raised in northern Mexico to parents who were “hoarders in many ways, avid readers who didn’t care what shelf something sat on” — comes to Eugene in support of her latest work, The Daughter of Doctor Moreau, which is set in 19th-century Yucatán. In 2020, Moreno-Garcia came into national prominence with Mexican Gothic, which made the bestseller list of The New York Times. She followed that up in 2021 with the novel Velvet Was the Night, a gritty look at Mexico’s Dirty War set in 1971. Moreno-Garcia lives in Vancouver, British Columbia. She is the publisher for Innsmouth Free Press and sometimes book columnist for The Washington Post.
Silvia Moreno-Garcia, author and editor, speaks and will sign books 2 pm Sunday, Nov. 6, at the Eugene Public Library in support of Lane Art Council’s Fiesta Cultural. The event is FREE.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
