“Sometimes Eugene is a little more Portland than Portland,” Fred Armisen admits to Eugene Weekly in a phone call, “a more intense version of it. There’s a city that’s known for something,” he says. “And then when you go to another city close by, you’re like, ‘Oh, this is the real thing.’”
EW doesn’t typically preview a show when it’s sold out, but when Oregon icon and comedy legend, Armisen, comes to town and wants to talk, we make an exception. The Saturday Night Live alum and Portlandia co-creator brings his Comedy for Musicians, but Everyone is Welcome tour to the McDonald Theatre Dec. 30.
And most importantly, Fred Armisen looks a lot like this local music and comedy writer!
Among various other credits, Armisen spent 11 seasons on SNL and starred alongside Sleater-Kinney’s Carrie Brownstein for eight seasons in IFC’s Portlandia, an equal parts affectionate and cutting send-up of Portland — and in turn, Oregon’s — culture of “Left Coast” preoccupations, filtered through Armisen’s comedic point of view, landing somewhere between workaday surrealist extremes and deadpan, situational cringe-theater.
These days, Armisen says he has a place in Portland but lives mostly in Los Angeles. Still, Armisen says of Oregon’s biggest city, “I just love being there. I’m so happy that it’s a part of my life.”
As well as touring, this year Armisen released 100 Sound Effects, a throwback to sound effect albums used in film and television production before the internet, this time with an Armisen twist. Armisen created each effect himself in the studio, including, for instance, “Sparsely Attended Show Encore With Someone Shouting ‘Where’s Jim?” or “Music Venue Employee Kicking Everyone Out While Throwing Away Bottles.”
“It was real work,” Armisen says of the project. Each sound, he says, had to “sound good and accurate and usable. I didn’t want to be lax about it.”
Armisen started in music, playing drums in the Chicago band Trenchmouth in the ’80s and ’90s, integrating music in his comedy, and serving as Seth Meyers’ bandleader on Late Night with Seth Meyers until 2017. He draws on that work, and a similar sensibility to the sound effects mentioned in Comedy for Musicians, what he calls a standup set with props, or in this case, a drum kit and guitar.
Typical bits in the show include a survey of acoustic guitar playing styles from around the world with narration interspersed, or Armisen amping himself up as a drummer, waiting for the moment when he can play the iconic drum fill from Phil Collins’ “In the Air Tonight.” However, Armisen insists you have to play music to get the jokes.
People who aren’t musicians who see the performance “realize that music is a bigger part of their life than they think. Whenever I present it to the audience,” he says. “I never know what their reaction is going to be.”
Admittedly, I had a personal interest in talking to Armisen. It happens less often these days as I’ve aged and my hair has gone grey, but for a while, I got mixed up with Armisen pretty frequently — on the street, at bars, at work, and one time, at a pharmacy. When I told a few people I’m not Armisen, they seemed disappointed.
Armisen says his celebrity doppelgänger is Rick Moranis (Honey, I Shrunk the Kids). “And then one time in Las Vegas, I was on a tram,” he says, “This lady was like, hey, it’s Bill Hader,” Armisen’s SNL cast mate and Documentary Now costar. He figured, close enough, and didn’t correct her.
I mentioned a few times that people asked me if I was him, which tempted me to string them along. “You have my permission,” he says. And has he ever been confused for me? “It happens once in a while,” he jokes. “I always wondered, who are they talking about? Are you saying that my name is Eugene?” Since we’ve talked, it all makes so much more sense now.
Fred Armisen performs Comedy for Musicians but Everyone is Welcome, 8 pm Wednesday, Dec. 30, at the McDonald Theatre, tickets are sold out. 100 Sound Effects is available wherever music is sold. Hulu’s Deli Boys season 2, featuring Armisen, is expected sometime next year.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
