Author: Rick Levin

Ticket to Ride

Ron Howard’s documentary Eight Days a Week takes an adequate look the touring years of the Beatles

ArtsFilm

Ron Howard has said that he hoped to make Eight Days a Week both for dedicated Beatles fans and for a younger generation that has little sense of who The Beatles were. I’m not sure where this leaves me, as I’m neither a millennial nor a Beatles diehard, but a person who appreciates a good music documentary. And Eight Days is fine — a solid mix of archival footage, new interviews with Paul McCartney and Ringo Starr, crowd-sourced footage and reminiscences from musicians or now-famous people who once saw The Beatles. Continue reading →

Down and Out in West Texas

Two brothers start robbing banks to buy back the family ranch in gritty crime drama Hell or High Water

ArtsFilm

As the riotous ’60s bled into the scabby ’70s, a lot of people in this country found themselves asking what happened to the American Dream, and movies from that era reflected this swooning miasma. In film after great film, directors like Martin Scorsese, Sam Peckinpah and Robert Altman, to name just a few, tapped into our growing sense that something had gone seriously, desperately wrong — that the great social experiment of democracy and prosperity had finally begun rotting from the inside out. Continue reading →

Citizen Terry

No waste goes to waste on Terry McDonald's watch

News
Terry McDonald

Standing in a cavernous St. Vincent de Paul warehouse on Chad Drive, executive director Terry McDonald and I survey stacks upon stacks of identical cardboard boxes, each one the size of a watermelon crate. It’s quite a sight. The stacks tower toward the ceiling and stretch horizontally wall to wall, and their Lego-like arrangement creates the shadowy alleys of a deserted city at sundown. All told, the boxes contain more than one million pounds of used books. Continue reading →

All Hail the Melancholy Dane

Timothy McIntosh takes the lead in Cottage Theatre’s excellent production of Hamlet

Theater
Tracy Nygard and Timothy Mcintosh Hamlet

As an accidental theater critic for the past 15 years or so, first in Seattle and now in Eugene, I’ve had the great good fortune to see Shakespeare performed in a variety of ways and in a variety of settings, professional and otherwise. Often upon the stage it’s just a poor player strutting and fretting, signifying very little, yet other times the work is divine beyond all reason. Continue reading →

Freedom Versus Bondage

VLT presents the not-so-oddball You Can’t Take It with You

Theater

Central to the comic tension of You Can’t Take It With You is a fairly routine dichotomy that, perhaps by its very nature, remains forever unresolved, and which best might be summed up thus: freedom versus bondage. Of course, freedom and bondage have been at war since before Socrates whispered in Plato’s ear and Jesus put a shellacking on the Pharisees, but in this country we like to imagine capitalism invented the eternal conflict between vile materialism and spiritual liberation — in other words, Wall Street versus Main Street. Continue reading →

Breaking Vows Beneath the Stars

Free Shakespeare in the Park brings Love’s Labour’s Lost to Amazon Park

Theater
Lydia reynolds (left), Stephanie McCall and Isabella Lay in Love’s Labour’s Lost.

The passion of a young scholar knows no bounds. In the pursuit of knowledge, the King of Navarre and his best friends swear a sacred vow to renounce sleep, wine and even women for three years as they engage solely in educating themselves.  Then the witty Princess of France and her ladies in waiting arrive at the court of Navarre to negotiate a land dispute. Mayhem ensues. Continue reading →

Bring Me the Head of Ricky Baker!

Two outcasts head into the New Zealand outback in Taika Waititi’s charming Hunt for the Wilderpeople

Film
Julian Dennison and Sam Neill in Hunt For The Wilderpeople

Hunt for the Wilderpeople by Taika Waititi is about an unlikely pair of outcasts who scamper into the New Zealand backcountry to escape the bumbling clutches of a nationwide manhunt. The film is derivative, predictable, grandiose and utterly sentimental. It is also smart, funny, big-hearted and disarmingly adorable, and it juggles these absurd qualities with dexterity and a winking charm that is almost impossible to deny. Continue reading →