Eugene Weekly

Award-winning British human machine, or rather the musician and beatboxer known as THePETEBOX, is touring the U.S. for the first time, producing sounds and rhythms using only his mouth, lips, tongue and voice.  “It’s important for people to understand the process,” PETEBOX tells EW. YouTube is full of clips from the musician, but PETEBOX feels beatboxing is best experienced live. “There’s some detachment from the process on record,” he says. Continue reading →

In the world of bluegrass music, tradition is king. This makes Grammy-winning mandolin player John Reischman’s 2013 release Walk Along John something unique: an album of twelve Reischman originals, two covers and a collection of neo-traditional tunes.  The roots-music tastemakers at No Depression magazine say “For as much as I love all of those classic old tunes, it’s such a pleasure to hear Reischman honor the genre by writing songs that reflect his own experiences …” Continue reading →

“Everyone loved The Milkmen in the early ’80s — the blues-ers, the punkers” says Dan Schmid, bass player for legendary Eugene band the Cherry Poppin’ Daddies. On Nov. 15, The Milkmen are reuniting for a one-night-only performance at Mac’s Restaurant at the Vet’s Club in Eugene. “It’d be nostalgic for sure,” Schmid continues. “[The Milkmen] were great. They rocked!” Continue reading →

Jake Smith, the singer-songwriter and mastermind behind L.A.-based trio The White Buffalo, sings in a rich, oatmeal baritone. And White Buffalo’s 2014 release, Shadows, Greys & Evil Ways — a loose concept record based around the characters Joe and Jolene — is a fitting backdrop for Smith, who looks like a Viking from Texas. Continue reading →

Sample “Till It’s Gone” from Southern rapper Yelawolf’s yet-to-be-released Love Story, and you might be surprised — first by the rich, oaky acoustic guitar line that kicks the track off and next by what the bluesy, looping arpeggios recall: the piano figure introducing Nina Simone’s classic “Sinnerman.”  Continue reading →

Before discussing indie-rock siren Frankie Rose, one must ask: Which Frankie Rose are we talking about? The founding member of garage-rock acts Crystal Stilts, Dum Dum Girls or Vivian Girls? Or the Brooklyn-based songwriter rumored to be related to legendary hard rocker and mouthpiece for Guns ‘n’ Roses, Axl Rose?  The answer is both. “Why, yes. In fact [Axl] is my great grandfather,” Frankie Rose tells EW. “I only met him once backstage when his band was headlining a Metallica-Motorhead concert.”  Continue reading →

United Nations is a punk-rock super group of Ronald Reagan-mask-wearing banditos. Not just any band could get away with standing up to both The Beatles and the actual United Nations. But see exhibit A: the cover of the band’s 2008 debut featuring The Beatles’ famous Abbey Road image (this time with The Fab Four engulfed in flames and crossing right to left). And exhibit B: The real U.N. sent the band a cease-and-desist letter for unauthorized use of the name and U.N. logo on Facebook.  Continue reading →

At this point it’s a local tradition: “We play a costume party in Eugene every year,” says Miss Alex White of the Chicago-based rock ‘n’ roll brother-sister duo White Mystery. “White Mystery loves the people of Eugene, its punk-rock spirit and great food.” White Mystery also loves Halloween: “Halloween,” White jokes, “means White Mystery Airheads, group costumes and my half birthday.” Continue reading →

I’ve never been to Austin, Texas, or Athens, Georgia. But one day I hope to, and when I do I think the music of Alejandro Escovedo and Peter Buck — two musicians closely associated with these cities — will soundtrack my trip.  Alejandro Escovedo embodies Austin’s reputation as the indie-est of indie music havens. Building a career around a Texan take on punk-edged three-chord bar rock, Escovedo is a rock ‘n’ roll survivor with a loyal following, a songwriter whose work recalls greats like Dave Alvin or Elvis Costello.  Continue reading →