PB&J meets R&B

“I get asked that all the time,” says Jelly Bread vocalist and guitarist Dave Berry about the band’s sound, adding that “moonshine funk and soul” is the usual fallback. “We cover a lot of ground,” Berry says. Continue reading
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“I get asked that all the time,” says Jelly Bread vocalist and guitarist Dave Berry about the band’s sound, adding that “moonshine funk and soul” is the usual fallback. “We cover a lot of ground,” Berry says. Continue reading
The people behind popular Eugene restaurant Party Downtown, located at 55 W. Broadway, apply a “make-it-in-house” ethic to everything they do, from curing meats to baking bread. Bartender James West is particularly passionate about house-made liqueurs — distilled spirits infused with the flavors of fruit, berries, herbs or even flowers. “I want to make things that are for sale in the liquor store,” West says. “But if we have as good or better ingredients in the valley, I will forgo buying something and make it myself.” Continue reading
Sorry, bro: tickets for the Tool show at Matt Knight Arena disappeared in, like, 10 seconds. But if you’re a Tool fan you probably already know this. Continue reading
Australian electronic musician Anna Lunoe grew up discovering music the old-fashioned way: digging through crates of vinyl records at her local record store. “I was trying to find stuff my brothers didn’t know so I could one-up them,” Lunoe jokes on her website. Continue reading
Songwriter Ari Shine met his wife, Adrienne Pierce, in L.A.; the two immediately connected over shared interests like Canadian folk-rock band The Grapes of Wrath. Shine says the two worked in the music business together for years as an “undercover duo.” “We co-wrote Adrienne’s records,” he explains. “We were doing a lot of music together [for soundtracks] but we weren’t a band.” Eventually Shine and Pierce struck out on their own, forming The Royal Oui. Continue reading
Legendary British songwriter Nick Lowe has said of folk-pop musician Eleni Mandell: “She stole my band and my sound, but I’d still have her ’round for tea.” That quote is proudly displayed on Mandell’s website. Well, they say good artists copy and great artists steal. Continue reading
Getting to know Australian snotty-rockers Dune Rats via their online presence, you get a pretty clear picture of what to expect: The band’s Facebook page lists “max chillin” as an interest, describes the band’s sound as “dunecore stoner pop” and the members as “three hyperactive stoner cunts.” Digging into the music, you’ll find this all pretty apt. Continue reading
Eccentric Nashville musician R. Stevie Moore has been writing music for more than 45 years, releasing 400-plus albums in media as varied as CD-R, cassette and digital download. And it’s all been done in essential obscurity. It makes one wonder: What keeps R. Stevie Moore going? “Music is good,” Moore answers via email. “I don’t understand the question.” Continue reading
Oh, the exuberance of youth — a time when we scoff at being told “less is more,” exclaiming instead that “only more can be more!” Why limit music to standard guitar/bass/drums? Why not cellos, violins, banjos, saxophones and horns? Why only four people on stage when you can have 10, a dozen, even 20 musicians? These are the questions that Austin-based Mother Falcon asks, and it’s this spirit the group’s sound embodies. Continue reading
Half of LA-based indie rock group Warpaint is Emily Kokal and Theresa Wayman — lifelong friends from Eugene. Warpaint has always surrounded itself with talent: John Frusciante (Red Hot Chili Peppers) produced Warpaint’s debut EP; Nigel Godrich (Radiohead, REM) and Flood (U2, Depeche Mode) worked on the group’s second, self-titled, full-length album released Jan. 17 on Rough Trade Records. Continue reading