Eugene Weekly

Salt Lake City’s Heartless Breakers play a brand of bombastic, overwrought rock ‘n’ roll popularized at the turn of the millennium — a style known as emo.  Vocalist Chase Griffis’ expressive voice sits alongside post-hardcore screaming vocals. Beneath it all, aggressive guitars and a clamorous rhythm section intertwine, creating an auditory manifestation of adolescent tension and release. But Heartless Breakers also blend elements of hard and abrasive music with a pop sheen, a defining characteristic of emo. Continue reading →

“Still a real world here,” sings Joanne Rand on the track “Real World” from her 2014 album Still a Real World. The song is a manifesto of sorts, cajoling us to disconnect from our networked lives and refocus on the material world.  But in 2015, the life of a musician — independent or otherwise — is increasingly dependent on digital space. How does the Arcata musician find balance?  Continue reading →

“Hey Ho! Let’s Go!” The classic battle cry will inevitably reach the rafters this Sunday as Richie Ramone, one of the last remaining member of classic punk-rock act The Ramones, brings his leather-clad gospel anew to Eugene.  Since parting ways with the godfathers of the New York punk scene in 1987, Ramone has done time in The Rock n’ Roll Rats as well as The Gobshites. He’s even tried his hand at classical composition. But shaking the Ramones’ moniker can be tough.  Continue reading →

With his always-vacant bug eyes, gap-toothed perma-grin and just-rolled-out-of-bed demeanor, Canadian musician Mac DeMarco is indie rock’s greatest goofus.  But underneath it all, there’s a sly knowingness. You’re not sure how it happened, but while you weren’t looking this simpleton pulled a prank on you — tweaked your nose, tussled your hair and left you standing mystified but thoroughly amused. Continue reading →

Colorado producer, DJ and electronic musician Michal Menert is called “the Godfather of Electro-Soul.”  “It’s a title the fans have given me,” Menert tells EW via email. He says his work with trendsetting artist Pretty Lights put him at the forefront of the white-hot EDM (electronic dance music) scene.  “It’s a flattering name that got placed on me, and I wear it with a smile,” Menert says. “I never refer to myself as that, but will gladly take it.” Continue reading →

There’s a new sound in the underground and it’s taking foothold in Eugene. The sound is called electro swing, or e-swing, a blending of modern techno, bass and house music with vintage jazz and swing music of the ’20s, ’30s and ’40s. For Eugene’s plentiful, dance-hungry audiences, this combo is a no-brainer. Continue reading →

Straight-edge bands get a bad rap. Often unfairly branded as a general crankiness toward all things fun, the straight-edge, or “sXe,” movement is largely anti bar, house party or any other place where drugs or alcohol might rear their ugly heads. It isn’t a scene particularly synonymous with “ragers.”  Continue reading →