Eugene Weekly

Caroline Rose says I’m a little off base. We’re talking about her latest release, Loner, out last year on New West Records. I mention how … Continue reading →

When Kurt Weill and Bertolt Brecht’s Seven Deadly Sins opens for a two-night run on Friday, Feb. 22, it will assemble one of the largest … Continue reading →

When Natalie MacMaster married Donnell Leahy in 2002, they became the Beyoncé and Jay-Z, or June Carter and Johnny Cash, of Canadian Celtic music. Both … Continue reading →

To an onlooker, the jam-band subculture seems to have the ability to tap a curious frequency that makes an 11-minute song a melodic gospel — … Continue reading →

Despite the success of Soul’d Out Music Festival, Portland’s neo-soul and R&B scene is still in its infancy. Adebisi Okuneye, lead vocalist with Portland neo-soul … Continue reading →

Nellie McKay is such a regular performer in Eugene it’s hard to keep track of her appearances. The New York singer-songwriter, known for everything from … Continue reading →

Kyle Thomas, better known as the leader of King Tuff, a constantly morphing musical project that’s somewhere between a band name and Thomas’ songwriting nom … Continue reading →

Everybody knows Rhapsody in Blue, which likely ranks in the top three most recognizable works of American classical music. From that famous bluesy opening clarinet … Continue reading →

The early 2000s blessed us with miracles like Beyoncé, the iPhone and denim body suits. The era also gifted us with trash pop and shock … Continue reading →