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Eugeneans — if you think driving 20 minutes to Cottage Grove to see a band play is too long, consider how long Self Decay traveled just to play there. “We are four-piece from Rio de Janeiro, Brazil,” says Self Decay bassist Pedro Gibson. In 2012 the band lived in L.A. for six months before returning to Brazil, but didn’t have the chance to tour the states until now. Continue reading
If you thought Jamaican reggae was laidback, Wayne Enos is here to tell you that Hawaiian reggae is even more chill. Enos, guitarist and vocalist with Hawaiian reggae band Natural Vibrations, or Natty Vibes, says: “Hawaiian reggae is definitely inspired by Jamaican reggae. We kept the idea of a melodic bass line but the subject matter is different most times. Continue reading
The music of Los Angeles’ Dengue Fever sounds like the soundtrack to an unmade James Bond film set in Cambodia. Guitarist Zac Holtzman tells EW his group is inspired by the rich and complex horn arrangements of Ethiopian jazz, as well as plain old American surf rock. Initially, however, Holtzman says he and bandmate and brother Ethan Holtzman came together over a shared love of Cambodia’s much-anthologized ’60s garage-rock era. Continue reading
Lane Community College’s inaugural Playwright’s Showcase 2015 gives student playwrights the chance to see their nascent works come to life onstage while also gaining real-world expertise in arts management. Through this innovative program, students not only nurture creative projects, but they learn firsthand how plays are produced and promoted. This year’s showcase, which runs Thursday through Sunday, Feb. 12-15, features five plays, each written and directed by students or former students. Continue reading
Send Shakespeare to the moon. Put him in the middle of Nazi Germany, the antebellum South, the Prague Spring, the Whiteaker Block Party. The miracle of Shakespeare’s plays, and the iambic mechanics of their impossible flexibility, is that wherever you set them, Shakespeare more or less remains Shakespeare — even in Castro’s Cuba. Continue reading
Collaboration is key in seeing the arts thrive, which is why it’s great to see Lane Arts Council partnering with Eugene Ballet Company for First Friday ArtWalk. Continue reading
The Oscar-nominated short films are always something of a mixed bag, but this year gives us a particularly strange crop. While there’s always at least one sentimental entry among the live-action films, the most recent nominees are notably melancholy — excepting Butter Lamp, a French and Chinese co-production set in Tibet. The camera in this poignant but funny short never moves. A photographer takes pictures of families, groups of children, a couple; he has props and backgrounds, and encounters minor officials and mischievous kids. Continue reading
Folk songstress Olivia Awbrey has a love affair with writing. Like any relationship, there are good times and bad times, times when moving seems easier than staying, and growing together is a key to success. Awbrey’s been forced to make some changes since her days as frontwoman for Small Joys, a folk-rock group that enjoyed the winning slot at WOW Hall’s 2013 Bandest of the Bands competition. Her latest EP, New Wheels, is an intimate look at the changes she’s undergone. Continue reading
For many Americans, the first introduction to the infectiously happy ditty “La Bamba” was either circa 1958 from the crooning Chicano rocker Ritchie Valens or circa 1987 from a pompadour-ed Lou Diamond Phillips playing the crooning Chicano rocker in the biopic La Bamba. This Top 40 hit, however, is hundreds of years old. “‘La Bamba’ is a traditional Son Jarocho song,” Leah Rose Gallegos explains. “It’s been remade by Ritchie Valens, Los Lobos and also us.” Continue reading