Craft Beer Goggles

Make no mistake: The new movie by Joe Swanberg is not a romantic comedy. If you waltz into Drinking Buddies expecting the formulaic satisfaction of a rom-com by Nora Ephron, you will be violently disappointed. You will throw your popcorn at the screen and demand your money back. Continue reading 

Back Beat

On Oct. 5 The Majestic Theatre in Corvallis will host one of America’s best contemporary singer-songwriters: Dar Williams. Touring for her 2012 Greek mythology-inspired album, aptly named In The Time Of Gods, Williams mines the stories of our Mount Olympus ancestors for triumphs and tragedies that parallel our own modern-day plight.    Continue reading 

Rock and Rockability

“I like to paint a picture of a modern woman who’s sexual and who can do the same things as a man,” Sallie Ford tells me over the phone. Sift through her lyrics, her throaty rock vocals or the imagery in her band’s music videos, and it becomes clear that Sallie Ford & The Sound Outside is not just paying lip service. Continue reading 

Bronze Stars

When Chris Henderson, the singer and songwriter for the indie-roots Bronze Radio Return, talks about the band’s most recent album — Up, On & Over — he is practically breathing a sigh of relief.  “It’s always nerve wracking, putting out a new body of work, wondering if people are going to say, ‘I like their other albums better,’” Henderson admits. “But we’ve been really fortunate. Our fans have had a lot of positive things to say about it, so it’s been really exciting.” Continue reading 

Zedd’s (Not) Dead, Baby

Of all the white-hot techno DJs and producers, few are more molten right now than Anton Zaslavski, better known as Zedd. Zedd’s single “Clarity” (featuring London-based female vocalist Foxes) is arguably the “it” single of 2013: a big, weepy ballad mixed with epic, fist-pumping, club-thumping beats.  Continue reading 

Monsters, Mayhem and Mel Brooks

The Actor’s Cabaret of Eugene brings Young Frankenstein to Life

“It’s Fronkonsteen!” he barks, steadfastly denying his monster-making roots in Transylvania. But when the death of his grandfather necessitates a trip back to the family castle, the temptation is too great. The young neuroscientist’s eyes glow as he reads through his infamous grandfather’s notes. He becomes possessed by possibility of creating life. The townsfolk, long horrified by the Frankenstein family business of animating corpses, don’t trust this transplanted New Yorker with a turnip, much less a newly dead body and an abnormal brain. Continue reading 

Peaceable Kingdom

Kari Johnson’s new mural at Cozmic is an exercise in harmony

Boobs. That’s what men on the street stopped to talk to Kari Johnson about when she was painting the “4th and Monroe” mural. What’s wrong with her boobs? Hey, she’s missing a boob! They would holler. The year was 1991, and Johnson was painting her first Eugene mural on a residential building in the Whit, featuring, at its focal point, a nude elder who has undergone a mastectomy. Continue reading 

Arts Hound

For one weekend, the Hult Center will be transformed into Never Never Land. Channel your inner child (or fairy or pirate) because Eugene Ballet Company is performing Peter Pan, with choreography by Bruce Steivel, 7:30 pm Oct. 5 and 2 pm Oct. 6. Want to feel like an insider and not a “lost boy?” EBC Director Toni Pimble will give a Ballet Insider talk 45 minutes before each performance in The Studio of Hult’s lower level.  Continue reading