Movie Review: ‘How to Train Your Dragon’
I want a dragon. Continue reading
We've got issues.
I want a dragon. Continue reading
Where were we? Or rather, when were we? Last month. Let’s just cut to the chase. Continue reading
The Oregonian compared local Congressman Peter DeFazio to Bart Simpson in a front page article today: Continue reading
Just look at that burger. Just look at it. Do you want to eat it yet? It’s vegetarian. But don’t let that stop you. Continue reading
This is one in a series of posts about the panels at this year’s South by Southwest — most panels were part of the Interactive track, but some were in Film or Music. All raised a lot of questions, some of which I’ve asked below; I hope you’ll want to join in the conversation. Continue reading
Erik Abel (aka Animal Farm’s Gen.Erik) from Focused Noise sent over a link to this video, which is sort of a video scrapbook/goofy behind-the-scenes look at the experience Focused Noise artists Animal Farm, Serge Severe and Mic Crenshaw had at SXSW. Skinny men in green bodysuits, missing Thai food restaurants, free hugs in the middle of the street — it’s all here. Continue reading
There’s a simple reason why it’s three weeks down the line and I’ve yet to write about SXSW Interactive, which is the part of SXSW with the most panels: Every time I sit down to do just that, I feel like the top of my head pops off and things just start pouring out — unsorted thoughts, ideas, information, complaints, exclamations, genuine glee. It’s just SO BIG. It’s a nerd and tech conference; it’s got too many tracks to keep track of, unless you’re really focused on the design aspect or the development stuff or the personal stuff or … whatever it is you want out of it. Continue reading
Shiloh Fernandez, Ashley Greene and Heath Freeman in Skateland. Continue reading
I would be wary of too highly praising the low-key and charming Cold Weather were it not for one thing: I went into the movie with what might’ve been, in another film, an unfairly high level of anticipation. A critic whose opinion I generally hold in high regard, L.A. Weekly’s Karina Longworth, called it the first unqualified hit of SXSW. Continue reading