Eugene Weekly

It’s surprising someone hasn’t done it sooner. On April 16, Ghostface Killah is releasing Twelve Reasons to Die — a companion album to a comic book of the same name.  Given the exaggerated, cartoonish bravado and gritty, urban crime-world motifs of hip hop, the pairing makes perfect sense. And the online trailer for Twelve Reasons to Die is full of noir, Tarantino-style atmosphere referencing classic Blaxploitation films.  Continue reading →

The recipe for an iconic record goes something like this: Take impressionable youth, mix in a fresh take on heartbreak, cook in the heated soul of a teenager and let cool.  Those who lament a dearth of classic albums these days often forget that last part, that bona-fide legendary music isn’t always readily apparent, that it takes time for it to rise above the riff raff and noise.  Continue reading →

From Austin, Texas, to Eugene to Bear Valley, Calif., Phoebe Hunt is on her way to camp. Not some Salute Your Shorts summer getaway, but The Big Sur Fiddle Camp. Hunt is going to rule that camp, as she’s been playing the fiddle for over 22 years, starting with a Suzuki violin, and hearing her soulful Southern voice, you would think the singer-songwriter would have been singing for decades too. Continue reading →

Once upon a time there was fuzz, and it was accidental. Then there came distortion. Then there came cleanliness, godliness and indie-pop. And then, quite inexplicably, there was fuzz again. We’re talking about production value here, and if there’s one band since indie-infamous Sleigh Bells that know how to do lo-fi right, it’s Unknown Mortal Orchestra. Take Ty Segall’s garage, Starfucker’s pop-chops, Wavves’ “I just don’t give a fuck” attitude, and the beauteous magic of a child’s imagination. Mix them all together. Gargle. Continue reading →

Banjos and beaches, mandolins and margaritas, fiddles and fish fries: some unlikely pairings in a paradise that is more Jimmy Buffet than Bill Monroe. But Mountain Song at Sea’s maiden cruise in February left the typically landlocked bluegrass stomping grounds far behind to bring together acts from across the nation like the Grammy-winning Steep Canyon Rangers and local favorites Betty and the Boy, who will be reunited again April 7 at WOW Hall. Continue reading →

Christopher Owens’ former group Girls set the indie world on fire with their 2009 underground hit Album. Owens’ singing voice drew comparisons to Elvis Costello; the songs evoked ’60s power-pop, ’70s punk and contemporary indie rock. Continue reading →

In five years, when zombies overrun us, Alfred Darlington is going to look back on these days as the golden age of electronic music. Darlington, better known by the production moniker Daedelus (pictured), tells EW that he would prefer the zombies to be of the slow, mindless variety.  Continue reading →