Eugene Weekly

Bloodshy & Avant, the production duo that takes up two-thirds of Stockholm’s Miike Snow, are known as some of the most forward-thinking producers in pop.  Their songs with Britney Spears — including the epochal “Toxic” and the Bridesmaids-immortalized “I’ve Just Begun” — are still head-scratchers even in today’s postmodern pop landscape. One would think that in their own band, free of the commercial expectations of writing for the world’s biggest stars, Bloodshy & Avant would let their ideas go completely off the chain.  Continue reading →

We live in a period of human existence in which vibe is more decisive than quality — in which a zillion filters can be dumped on a photograph, a full album can be drenched in reverb or a vote can be cast on guts alone. Continue reading →

A fun game: Listen to “Weird Al” Yankovic and take him deadly serious. Forget that he’s built a career lifting popular tunes from artists like Michael Jackson or Pharrell Williams. In 1988, Weird Al lampooned Jackson’s “Bad” with “Fat,” and on Yankovic’s 2014 release Mandatory Fun, he borrowed Pharrell’s “Happy” and made it “Tacky.”  Continue reading →

Bright young talents conquer Broadway with hip new streetwise music: Seven decades before Hamilton, 25-year-old composer Leonard Bernstein and his upstart young (average age 27) drinking buddies — singer-songwriter-comedians Betty Comden and Adolph Green and choreographer Jerome Robbins — blitzed wartime Broadway with On the Town. Continue reading →

If you’re sailing down the Willamette River through Corvallis, don’t be surprised when you hear distant piano music. No, it’s not some river ghost — it’s probably the Barker Gypsies.  For the past three summers, the folk-pop duo of singer Catherine Ellis and keyboardist Brian Poucher has claimed a sandbar just offshore from their hometown’s Willamette Park and Natural Area as their base, playing for river-floaters and landlubbers alike.  “People can hear us before they see us,” Ellis says. Continue reading →